Forum Replies Created
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You can just copy the node with the tint to your existing node tree.
Not to be an a.s.s but just start reading at page 458 of the Resolve manual. Will tell you everything you need to know to get started with nodes.
Clark Bierbaum
Color Grading / Post Consultant
GarnetColor.com
Charlotte, NC -
Make a node with that tint and then add the node to the other shots you want to have the tint. Via a mem or still.
Clark Bierbaum
Color Grading / Post Consultant
GarnetColor.com
Charlotte, NC -
Clark Bierbaum
August 18, 2013 at 6:32 pm in reply to: Creating more space between in and out Fields in Node viewer+1
Clark Bierbaum
Color Grading / Post Consultant
GarnetColor.com
Charlotte, NC -
Good catch Juan! I have a 5.1 with lots o memory, a SSD for the system drive and an internal raid, as always YMMV!
Clark Bierbaum
Color Grading / Post Consultant
GarnetColor.com
Charlotte, NC -
Should be fine, I do lots of client supervised sessions with the large Alexa files so I need the Horse Power!
Good Luck!Clark Bierbaum
Color Grading / Post Consultant
GarnetColor.com
Charlotte, NC -
Might want 4gb RAM. If you look back Peter says RAM is important as frames sizes increase. FWIW, I have a 680 Classified w/4gb non-flashed and have had great performance, although no boot or shut down screen. I have an additional power supply in the CPU that fits in the second dvd bay and it works great! A lot quieter and faster than my old 480/120 combo.
Clark Bierbaum
Color Grading / Post Consultant
GarnetColor.com
Charlotte, NC -
From a post I made on the CML RE: LUT’s:
As an old colorist that actually drove a telecine, I always think in terms of what I used to call the “telecine side” and the color corrector side.
Back in the day, I can hear the kids tuning out, you would adjust the telecine first (the PEC’s for Rank, the overall balance and work toward the look) then you would start the correction on the corrector (daVinci, Pogle ect.)
I always, (mostly) when working from LOG, have a Resolve mem(ory) that contains three nodes: 1. PreLUT correction; 2. LUT; 3. Start of correction.
This allows me to bring things out of clip in node 1 if the LUT clips them after, and allows me to balance before the LUT.
RE: Set generated LUT’s – for us old timers a still works as well as a LUT. I like to find my way to the desired look so I know how to make it as flexible as possible. Last film (ARRI LOG) I did I had about 12 LUT’s sent by the DIT and used my one ARRI LUT that has been my go to for a while now. This isn’t ego, just how it works for me, YMMV.
I feel bad for young (new) colorists that have never done best light (from film) dailies, nothing makes you faster or gives you a better understanding of the scopes / monitor relationship. And how to get to a look that the DP emailed to you from a shot on a digital still camera that he adjusted in photoshop. Or actually SPEAKING! with them on the PHONE! The good old days!
I love to hear that the DP will be supervising the grade, as has been my good fortune on the past few movies.
Never get to work with the DP on spots, which works for short form, I think, as the agency has the vision that they want to PAY for.
Back to your regularly scheduled realty programming…….
Clark Bierbaum
Color Grading / Post Consultant
GarnetColor.com
Charlotte, NC -
No boot or shut down screen but nothing weird otherwise.
Clark Bierbaum
Color Grading / Post Consultant
GarnetColor.com
Charlotte, NC -
Have had this one: Crucial M4 CT512M4SSD2 2.5″ 512GB SATA III MLC Internal Solid State Drive for more than a year and its great! Makes my 17″ mb pro scream. Also have one as the system drive in my Mac Pro 5.1 as the system drive with no problems.
YMMV, but its worth the price!Clark Bierbaum
Color Grading / Post Consultant
GarnetColor.com
Charlotte, NC -
Replaced a GTX480 Mac Mod with a GTX680 Classified, no Mac Mod. Everything runs great, Resolve about a third faster using standard candle. Did the AE CC hack and it sees it. Premiere Pro CC sees it w/o hack.
FCP runs fine, just a short test but no problem.I wanted this as the 480 was having slowdowns with 2048×1152 Alexa ProRes4444. 680 seems to have fixed it.
Will report if any issues.
FYI, Installed FSP Group Booster X5 450W Independent GPU Power for the 680 as $89US is better than frying MacPro5.1 mother board!
Clark Bierbaum
Color Grading / Post Consultant
GarnetColor.com
Charlotte, NC