Chris Wright
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the latest thread I’ve read adobe says phantom video isn’t natively supported.
“”DJI Phantom 4 Pro is yet not included in current version of Premiere Pro Supported formats
The development team is working on it to include in future versions”5. Re: Can not import any Phantom 4 Pro videos
Kevin-Monahan, Adobe
Preston1,
Just heard that this footage may not be currently supported. Kindly transcode the footage to see if that would work for you. If AME won’t transcode, try Handbrake.Thanks,
Kevin
https://forums.adobe.com/message/9747150#9747150 -
is import sequences natively unchecked in ame?
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Open VLC.
Go to Media –> Convert/Save. wav -
the good ‘ol trig expression pie chart i made a billion years ago
https://forums.creativecow.net/thread/227/17128#17144 -
a lot of people still use it with that speedgrade conversion tool that changes the xml header. they really need to make match shots, hue, color management and 2-3 up in premiere. thanks for the link.
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you can visually check with premier’s scopes if luma values are outside range.
you can add a Levels effect to the source clip and set the RBG master level to 16 and 235. that will effectively clip the video. you can add your own soft clip with curves added before and rolloff the highlights if you want.
you can add another adj layer color for levels for safe chroma as well.make first one just over video as blend mode – luminosity then apply luminosity preset to it
make next one on top of previous adjustment layer blend mode – color then apply color preset to that onehere’s a broadcast safe preset preset I made that automates this.
https://f1.creativecow.net/10774/premiere-pro-cc-20152-broadcast-safe-presetsome video codecs like dnxhd in AME have an advanced-full or video levels(16-235) that does this for you.
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I’m going to give away a huge hollywood secret. the secret sauce for removing banding for web is to create a digital intermediate by exporting down to a lossless 8 bit codec like animation or quicktime png. this then forces AE to dither all 32bpc composites into 8 bit. you will then force the dither quality out before any actual compression takes place. the next step is to re-import that new 8 bit lossless back into AE with effect neatvideo. important! (AE working space needs to be 8 bpc in this step) then use its luma, chroma sliders to completely remove the banding. finally, export as h.264 for web. just don’t tell anyone this trick!
and yea, noise increases file size by 20-30% btw. that’s why really small h.264 sizes are made from denoising before compressing.
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i sent in a bug report. I seem to be the only one to find bizarre nesting bugs like this. then again, I use a pixel level system color picker to nitpick a lot of things.
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If you’re still having problems with youtube, it could be youtube changing the gamma/pixel values, in which case
you can try manually baking in a new look similar to avc1 vs vp9.many people have had luck using this LUT I made for youtube/vimeo.
64 cube iridas lut for burning in darker 16-235 from 0-255 for youtube upload. it darkens image, then youtube/vimeo re-lightens again.
https://f1.creativecow.net/10598/fixmyyoutubenote:
it doesn’t work with adjustment layers directly
you have to use it in the dropdown for the export in adobe media encoder. or you can NEST it first.
its a premiere bug. also it needs to be copied in both premiere-lumetri-technical and adobe media encoder-lumetri-technical -
large renders should be image sequences so you can re-render individual frames if necessary(and leave off after an error). Wavelet codecs like prores, dnxhd, cineform are lossy, although very high quality and need re-rendering unless you use them in a special smart codec way. If you do it right, they can export 4-12x faster!
https://helpx.adobe.com/premiere-pro/using/smart-rendering.html