Forum Replies Created

Page 5 of 283
  • Chris Tompkins

    September 22, 2014 at 9:12 pm in reply to: I need a wireless mic system that works

    LectroSonics – best

    Chris

  • Chris Tompkins

    September 22, 2014 at 8:50 pm in reply to: GH4 yellow skin tone

    No, No, a still from the video with the issue. Export a frame from the video track.

    Chris

  • Chris Tompkins

    September 22, 2014 at 8:37 pm in reply to: bad fps export, no matter what

    That’s probably just your playback struggling, have you tried importing the file back in and seeing what premiere says it is?

    Your clip is probably fine.

    Chris

  • Chris Tompkins

    September 8, 2014 at 6:13 pm in reply to: External Monitoring…

    Go with one of these:

    AJA – T-Tap
    BMD – Ultrastudio Mini Monitor

    and you’ll do just fine.

    Chris

  • Chris Tompkins

    September 6, 2014 at 12:16 pm in reply to: Trying to settle something about 60fps to 24

    Ya, there is no interlace. Your all progressive at 60p and 24p.

    So, the answer is yes, you can always shoot 60p, edit in 24p and only slow down what you want.

    Just recognize that 60p looks different then 24p, if you want the 24p look, then shoot 24p.

    Chris

  • Chris Tompkins

    September 5, 2014 at 1:31 pm in reply to: Trying to settle something about 60fps to 24

    Once the clip is in the proj. “right” click and choose; interpret footage.

    Choose the frame rate you want to play it back. Then drop into the sequence. Do this before you apply a slow down% on a clip in the sequence. See pic:

    Chris

  • Chris Tompkins

    September 5, 2014 at 1:23 pm in reply to: Custom aspect ration

    File-new sequence-settings, enter 950px for the width, will get you close enough. When you lay it in the larger one, crop the extra 3 pixels if need be. See pic:

    Chris

  • Chris Tompkins

    August 27, 2014 at 9:55 pm in reply to: Mixed formats and hanging macbook

    Your system is aging and this project could be taxing it’s resources.

    You do NOT want to got to .h264 for the cross hop. This is more of a delivery codec, sometimes acquisition.

    Can you import just that one sequence into the other project? I don’t recall if that works with CS5.

    Chris

  • Chris Tompkins

    August 27, 2014 at 9:52 pm in reply to: Transcode or edit native?

    Always native to save another compression step on your footage.

    With that being said, if you have a lot of effects work or composting to do, it would serve you well to convert to Prores .mov file first.

    Chris

  • Chris Tompkins

    August 8, 2014 at 6:50 pm in reply to: Best settings for HVX 200 when mastering 720_30P?

    One advantage with 1080 is you can still edit in a 720 sequence, thus having room to push in and re-position shots without losing resolution.

    Chris

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