Forum Replies Created

Page 197 of 283
  • Well,
    Can you convert The Go Pro and the HDV to ProRes? Leave it Interlaced.

    If you convert all to one format first b/4 editing you will have a much easier go of it all and it will save time in the edit.

    Leave the DVCPRO Progressive as is and drop into the Interlaced Prores sequence with the other footage.

    Chris Tompkins
    Video Atlanta LLC

  • DVCPRO HD 1080 would be the highest quality here. But it’s progressive and the other two are interlaced.

    The gopro mpeg stuff needs to be transcoded for editing anyway.

    HDV is not great for editing.

    Which format do you have the most of?

    Chris Tompkins
    Video Atlanta LLC

  • Chris Tompkins

    April 7, 2011 at 11:34 pm in reply to: Drifting audio with FCP and AJA Kona LHi

    Didn’t realize the live capture.
    Tried trashing prefs?
    You’d think AJA would have solved it.

    Chris Tompkins
    Video Atlanta LLC

  • I’d rather edit then watch golf!

    Chris Tompkins
    Video Atlanta LLC

  • Chris Tompkins

    April 7, 2011 at 11:21 pm in reply to: Canaon AVCHD Workflow

    after it as been ingested, cut and exported Put put a Master Self Contained of the program. Dump the raw footage.

    You have multi backups of original card files.
    You have a digital Master.

    You don’t need the footage @ that point. Re-load if you need it again later.

    Chris Tompkins
    Video Atlanta LLC

  • Chris Tompkins

    April 7, 2011 at 11:17 pm in reply to: Drifting audio with FCP and AJA Kona LHi

    Capture in 20 min. chunks?
    At least until you can get this issue fixed.

    Chris Tompkins
    Video Atlanta LLC

  • Chris Tompkins

    April 7, 2011 at 4:34 pm in reply to: yet another demo reel question

    A great call Mark.

    Chris Tompkins
    Video Atlanta LLC

  • Chris Tompkins

    April 7, 2011 at 12:42 pm in reply to: yet another demo reel question

    I would lead with a few of the strongest but spread them out thru the whole reel too.
    Keep the whole thing Short & Sweet!

    Chris Tompkins
    Video Atlanta LLC

  • Chris Tompkins

    April 7, 2011 at 12:40 pm in reply to: capture settings?

    Are you shooting HDV? to Tape?
    Capturing Firewire?
    If so, your capture settings do not have anything to do with the grainyness. It comes from low light, low resolution cameras. Poor camera settings.

    After you compress, yes you can have grainyness. You have to work on your compression settings. Try a higher data rate.

    Chris Tompkins
    Video Atlanta LLC

  • Chris Tompkins

    April 7, 2011 at 12:25 pm in reply to: HDV 720 30p capturing

    Make sure the deck isn’t set to Down-Convert.

    Chris Tompkins
    Video Atlanta LLC

Page 197 of 283

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