Chris Smith
Forum Replies Created
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I think the most efficient way would be to use a particle system (best being Particular from Trapcode) so you just create a few protoype ribbon animation loops and use particular to multiply and “fly” them to your liking.
Chris Smith
https://www.sugarfilmproduction.com -
Brilliant! Thanks Jayse for an amazing tutorial. Answered so many questions for me. If you did a suite of tutorials like this demystifying all of the great stuff we see and admire from the great graphics companies I would pay millions (of pennies) for it 🙂
Chris Smith
https://www.sugarfilmproduction.com -
Why would he need 3D tracking to sync to a 3D camera in Maya? Especially since AE imports the data? If he was matchmoving a filmed image I can clearly see why, but Maya hands it to you no different than Boujou would after doing a track.
Chris Smith
https://www.sugarfilmproduction.com -
Do the move in Maya. Then save the project (with reference nulls so you know where to put things) as .ma. Then import the .ma into AE.
For the nulls to show up in ae they have to fit the name convention:
null_whatever
null_This
null_ThatChris Smith
https://www.sugarfilmproduction.com -
Download these. It’s in there. Called ‘smear’ if I remember correctly.
Chris Smith
https://www.sugarfilmproduction.com -
So does the process of generate UVW’s so I wonder what the difference between them is?
Chris Smith
https://www.sugarfilmproduction.com -
What’s the difference between the stick texture tag and setting ‘generate uvw’ on an object?
Chris Smith
https://www.sugarfilmproduction.com -
Select your object. Go to the Fcurve tab in the timeline. Select your keyframes. In the curves menu (fcurve menus) select Cycle w/ offset to keep the curves goin in the same “direction”
Chris Smith
https://www.sugarfilmproduction.com -
I love it. Extremely creative. Looked like a LOT of work.
Chris Smith
https://www.sugarfilmproduction.com -