Forum Replies Created

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  • Chris Ruckert

    April 18, 2010 at 5:32 am in reply to: using keylight to key out white background?

    keylight pulls very good keys on chroma (color, green or blue) but us useless on pulling keys on white.
    It is not you, it is keylight. Procedural keying is the only way to go, albeit more complicated.

  • Chris Ruckert

    April 25, 2009 at 7:45 pm in reply to: Printing out several footage frames in one
  • Chris Ruckert

    March 26, 2009 at 5:02 pm in reply to: Out of focus gradient

    to add to Kevin’s reply, frischluft Lens Care does exactly what you are looking for, and very well I might add.

    https://www.frischluft.com/

  • Chris Ruckert

    March 26, 2009 at 4:38 pm in reply to: set matte using selection

    ok, I am comping dozens of shots with even more layers. And handing off to other artists. I want to minimize clutter.

    I *could* dupe the RGB matte, pull a color key, put it above the layer, and set the layer below as a track matte, yes. But do this 100’s of times and ya get a lot of clutter.

    I just think a SIMPLE filter that selects a color to set a matte to based on ONE layer in a comp, rather than a drop down of a few options, would be nice.

    I love AE, but it lacks what shake, nuke, flame can do for 3D comping.
    I am hoping there is something I am not aware of in/for AE that can help with this.

    I was really asking for something specific and was clear I know the workaround. Whether something like this necessary or not is subjective.

    If anyone else has a solution, I am all ears.

  • Chris Ruckert

    March 26, 2009 at 3:54 pm in reply to: set matte using selection

    nope, I am working with CG renders and RGB mattes. Not footage. To better separate elements CG uses Red, Green, Yellow, Cyan etc. matte passes. I’d love to be able to set matte based on a SELECTED color.

    Shake, Flame can do this, wondering if there is a 3rd party filter to do this since it is a very common CG compositing task.

  • Chris Ruckert

    February 14, 2009 at 5:50 am in reply to: Mocha AE

    answered my own question..should anyone have the same question, here is a great tutorial from Imagineer:

    https://www.imagineersystems.com/products/mocha-AE/Mocha_image_stabilization.mp4

  • Chris Ruckert

    February 12, 2009 at 5:15 pm in reply to: Importing multiple .tiff sequences

    sweet!
    Much needed.

  • Chris Ruckert

    January 15, 2009 at 5:50 pm in reply to: how can I fix this expression?

    than you kindly.

    one more question…

    If I want the expression to read whatever the current value is for the y parameter (rather than 100) how would I modify that expression?

    thanks!

  • Chris Ruckert

    October 12, 2008 at 4:01 am in reply to: Timecode in After Effects CS3

    I am unaware of this feature, but it would REALLY be nice.
    I guess it depends if meta data is transfered with the files for AE to read…doubtful

  • Chris Ruckert

    October 12, 2008 at 3:59 am in reply to: Sony PVM-1354Q 13″ Trinitron Video Monitor

    That BVM monitor is certainly compatible with AE and FCP.
    I have the same one, working with AE ad FCP.
    The issue is the connection from your Mac to the monitor via your video card.
    Now I am not familiar with your card, but that is where your problem may be.

    Just to save yourself some time, you might want to check/do a few things:

    – make sure the monitor is indeed powered ON
    – make sure your video source (front button A, B, C) on the unit is properly selected for your video input to the PVM.
    – try connecting another source (VCR, cable box) to the composite or S-Video input and see if it works. If it does not, then the problem is your monitor.

    hope this helps.

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