Chris King
Forum Replies Created
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I got some MTS files(Sony A6000) in an intact AVCHD folder, but when I import the MTS to Adobe Premiere, it only shows the image, no audio track. But a little searching turns up the solution.
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Searching MOV to Davinci Resolve in Google and turned to this thread. I have issues when importing MOV files(from Canon) to Davinci Resolve. By searching further, I know MOV is a container format which can contain data encoded using various compression and encoding schemes. If your MOV files are not accepted by your Resolve, it’s probably because of the video or audio codec incompatibility. On this occasion, you need to transcode MOV to DaVinci Resolve preferred DNxHD or ProRes files and then transfer the converted MOV files to DaVinci Resolve for editing.
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Old post but have something to share here. Although Avid claims that Media Composer after 1.5 support MXF importing, when using MXF videos in Avid Media Composer, users always meet unexpected problems, as .mxf format is efficient, but simply isn’t engineered for complex post production effects processing. One of the common solutions is linking to the H.264 MXF files via AMA, then transcode in Media Composer. But incompatibility still exists among different camcorder manufactures. We’d like to find something can work with all MXF files.
What we’ve found is that DNxHD format delivers both efficiency and quality without compromises. So, before getting MXF files into Avid Media Composer, you’d better convert MXF to DNxHD MOV first. This format will allow you to drop your MXF files directly into Media Composer without rendering.
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TS is short for Transport Stream. TS files are MPEG-2 video files and recordings of television broadcasts in high definition. Many popular movies are in the format of TS. However, TS video format is not so easy for editing tools to recognize and support owing to codec problem. So if you want to edit .ts files in Avid Media Composer, you’d better convert .ts video to Avid editing-friendly format.
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I’ve glad to go into this thread for DaVinci Resolve supports MTS. My problem is when I tried to import some MTS clips into DaVinci Resolve 11, the files can’t be recognized. As some guys suggested, in order to edit MTS video files in DaVinci Resolve 11, I’ve tried to convert MTS to Resolve 11 supported video formats such as QuickTime, ProRes, DNxHD.
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Haven’t tried EditReady yet, but found there are some other tools can also do the XAVC S to ProRes conversion job. And here is the Sony a7ii xavc s to FCP workflow I found out online.
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Some guys give their suggestion- fix corrupted P2 MXF with P2 Log Pro. I have tried the way, but NO luck. I also tried doing the transfer through a P2 card reader and as direct file transfer into my Mac Hard Drive in case it was just a camera transfer glitch. No luck there. So, is there a program that just will allow me to open and edit the P2 MXF files in Final Cut Pro on Mac without hassle?
Fortunately, the answer is positive. Well, if for whatever reason your P2 card structure doesn’t come across intact, what can you do? As you know, Final Cut Pro and other NLE system need a correct card structure to read and ingest MXF footage. In this case, transcoding P2 MXF files for Mac editing with FCP or other NLE systems in a 3rd party app is a feasible workaround.
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Anyhow Premiere Pro CC is more stable than CS6. What’s more, H.264 is highly compressed. That’s not where you want to start with editing for high quality results. Something even worse, users always found H.264 footage like from GoPro HD(.mp4), Canon EOS(.mov) can’t be recognized by Adobe Premiere Pro. A solution to import H.264 to Adobe Premiere is to transcode all H.264 files to MPEG-2 and then edit with new codec.
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Would it caused by the video codec contained with your MP4 videos. What you need is to directly find a proper codec that Vegas can handle or convert MP4 to Sony Vegas compatible video codec.
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Although FCP-X(FCP X 10.1.) supports some 4K videos( 4K ProRes, Sony XAVC and REDCODE RAW), while old version FCP X like many editors use 1080p as primary delivery format and will continue to do so for a long time. If you want to have a smooth 4K video and FCP X workflow, you are advised to convert 4K video to ProRes in proper settings(1080p) for further editing in FCPX.