[Charlie Edison]

Is your source footage 60p ?

[Charlie Edison]

Is your source matterial 720 60p ?

[Charlie Edison]

might be a reel number issue in the conform..

Did you have to do any manual relinking of the edit in your conform?

[Charlie Edison]

Most likely not a bug, what I suspect is that some edits in your session are using the same clip at various points throughout your time line.
This will be shown to you with a little red indicator at the top middle of each VSR.
This means that clips shown with the red indicator will inherit the same grade, adding version will also add versions to the red linked clips.

You need to make each clip a “local version”, and break the red link

right click the clip and select “local Versions” – “create new”

[Charlie Edison]

two ways to do this,

under session in the top menu bar, select ALL/COLOR/PTZR until PTZR is highlighted green in clip mode,
then right click a clip, memory or still and show node graph.
then top right menu of that window shows apply PTZR, this only works on one shot at a time unless you first make a group.

you can then use ripple value, you’ll need to read the manual to too lengthy to explain, but with ripple value you can select a length of clips, ( e.g. 10,13 ripple value) to append or replace the PTZR settings to clips 10,11,12,13

ripple value can be a little challenging to get your head around, there are four different modes listed in the config page under settings that have different impacts on the results.

[Charlie Edison]

Resolve cannot render anaglyph stereo, you options are side by side and line mesh…

try nuke, smoke, AE or tweak RV..

[Charlie Edison]

Sounds like you have LOG scans,

you should be fine color grading to where ever you push it, bit if you want to see linear from you log,just apply a LOG-LIN lut ..

[Charlie Edison]

probably a headache ! 🙂

[Charlie Edison]

you need to change the speed of the clip in the conform page..

here’s what I’d do,

copy and paste the original clip into a new track or at the end of your current conformed timeline,
right click the clip and change the speed to 8fps,

you will most likely need to drag or extend the clip out to show the entire clips length now..

try that ..

[Charlie Edison]

Yes you can.

In the browse page you can add any clip as matte to another clip, it doesn’t have to be a matte shape.
Resolve takes RGB mattes (or images) so for example (and do this with color bars so you can easily see the effect,
but add an RGB color bars clip to the target clip in the browse page. In the color page add a node and then select ext matte. The clip you added as matte will appear and you can choose which channel to join to that node, then you can grade using the values of the matte channel in your node.

I tried this with two H264 clips which also worked. Resolve internally converts to YRGB processing, so YUV clips work as mattes as well.

hope that helps.

adding a matte: in the browse page first select the clip you want to add a matte too, once selected then go back up to the media browse window (or clip details window) and right click on your clip you want to use as a matte and “select add as matte”
In the media pool you will see a little green square on the far left showing it has a matte associated with the clip, you can double click the green square clip to see the linked matte clip.