Forum Replies Created

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  • Chad Tingle

    November 29, 2010 at 2:39 am in reply to: 1 Frame Offset Issues

    Thanks Gary!!

    Chad Tingle
    Producer/Editor

  • Chad Tingle

    November 28, 2010 at 9:46 pm in reply to: 1 Frame Offset Issues

    Started reading this thread and got curious. I opened VTR exchange but I don’t see an edit to tape function.. only capture and grab..

    Chad Tingle
    Producer/Editor

  • Chad Tingle

    November 24, 2010 at 1:28 am in reply to: Mac Pro Hardware Configuration

    To edit red footage… that budget is not gonna get you very far.. the computer alone will cost that much. A good i/o card like a kona Lhi will run you 12-1500.. then you need a good raid….that will give you 250-300 mb/sec for good throughput.

    Chad Tingle
    Producer/Editor

  • Chad Tingle

    November 22, 2010 at 3:15 am in reply to: Final Cut transitions

    What transitions are you trying to use and what effect are you trying to achieve.

    Chad Tingle
    Producer/Editor

  • Chad Tingle

    November 19, 2010 at 5:15 pm in reply to: how to import and export HD in final cut pro

    HDV is a great is a good acquisition format but due to the fact that it uses mpeg compression it’s not a great codec for post-production. There are different ways to handle it. You can bring it in 1080i 60 then create an Apple Pro-res sequence and render out the material as pro-res which may take a little time depending on the length of the material. You can also capture 1080i 60, edit and then export your material directly to a quicktime file using the pro-res codec or You can also do an easy setup and capture directly to pro-res. I personally think number three is the most efficient method.

    Chad Tingle
    Producer/Editor

  • Chad Tingle

    November 17, 2010 at 11:12 pm in reply to: Red flicker during Playback

    Have you tried using compressor to convert it to Pal

    Chad Tingle
    Producer/Editor

  • Chad Tingle

    November 17, 2010 at 1:00 pm in reply to: 1080p50?

    you can import it into fcp 7 using the log and transfer mode but 1080 p 50 means 50 HERTZ for pal. If you don’t need to work in a pal base use 1080p 30

    Chad Tingle
    Producer/Editor

  • Chad Tingle

    November 17, 2010 at 12:58 pm in reply to: Flip Video in Final Cut Pro

    download a free utility called mpeg stream clip off the web and use that to convert the avi to dv

    Chad Tingle
    Producer/Editor

  • Chad Tingle

    November 9, 2010 at 7:48 pm in reply to: Playouts from H.264

    Most stations are asking for commercials to be delivered in H.264 and MPEG2 for their servers. I hate doing it sometimes but even if you send them a beta or digibeta they compress to H.264 anyways. We’ve all gotta start getting used to it

    Chad Tingle
    Producer/Editor

  • [Kate Perkins] “I don’t know what you mean by DAW”

    Digital audio workstation.. i.e. pro-tools,fairlight,logic

    Chad Tingle
    Producer/Editor

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