[Chad Tingle]

[Chad Brewer] “Hey Chad, (I’ve never said that to anyone except myself :))”

Chad.. it’s not something I’m proud of LOL.. but it gets the job done. I have a Kona LHI card and it’s great but my raid is not up to snuff so in the mean time it works. I got it to work by capturing in small increments but I’ll heed the advice if I have to go this route again.. hopefully not too many more times.I love capturing with timecode because I can consolidate the projects with Media manager when I’m done and and rebatch If I ever have to visit them later. Thanks again

Chad Tingle
Producer/Editor

[Chad Tingle]

always providing the helpful information Bob.. much appreciated

Chad Tingle
Producer/Editor

[Chad Tingle]

I would give AJA a shout.. they’re pretty helpful with questions like that.

Chad Tingle
Producer/Editor

[Chad Tingle]

[Jeremy Donaldson] ”
What timeline settings would be best for working with both types of footage?”

Whenever I’ve used the combo of 720 and 1080 with Canon footage. I work at 1080. Once all the native footage has been transcoded to pro-res the 720p footage cross-converted to 1080 actually holds up pretty well.

Chad Tingle
Producer/Editor

[Chad Tingle]

[chris thompson] “the audio coming through seems abnormally hot, creating over-modulation & crackling/popping. It sounds consistently bad”

Are you using any mp3 audio in your timeline because I often experience this with my LHI when using mp3’s for temp music during rough cuts. Once I receive the mixed aiff’s I have no issues. I’ve also read in these forums that from time to time fcp doesn’t like wave files either.

Chad Tingle
Producer/Editor

[Chad Tingle]

None of these are going to work for those file sizes.. you need to be runinng something like this https://www.caldigit.com/store.asp#HDOne
to manage those file sizes.

Chad Tingle
Producer/Editor

[Chad Tingle]

You have to convert to a robust codec of some sort. H.264 is not an efficient codec to work with. It’s good for acquisition not post.

Chad Tingle
Producer/Editor

[Chad Tingle]

You shouldn’t have any problems at all!!!

Chad Tingle
Producer/Editor

[Chad Tingle]

I usually use the black and code function in FCP just out of convenience.I don’t do a ton of layoffs and i’m usually doing 30 sex spots, so i do right before I layoff to tape

Chad Tingle
Producer/Editor

[Chad Tingle]

FCP does not like .WAV files but you can sometimes get away with it. It certainly doesn’t like compressed audio formats like AAF’s or MP3’s. I recently had a project where the temp music was sent as .mp3’and the I had random pops all over the timeline. convert the .wav’s to AIFF’s and stay away from the AAF files.

Chad Tingle
Producer/Editor