[Carolyn Lecorre]

Thank you! I started working at a new place and tried to remap over and over again the keyboard (it was mapped correctly in the first place). I didn’t know about that Loop option.

Those little things cause or save lots of grief

[Carolyn Lecorre]

Hi Paul,

Just to continue with this topic. I’m new to Premiere. Was forced to switch from FCP 7 to it because of the camera we’re using for the series I’m editing.

I use subclips like crazy and in FCP 7 could jump from subclip to Master clip super easily. Reconnecting subclips was so easy as it just meant relinking the master clip.

I followed the advice you posted above to start my project with Prelude. I did all my subclips in Prelude and then moved to Premiere. Because of a major problem with the on camera sound, we had to re-sync the audio recorded by our soundperson to the footage. Now I’m finding myself having to relink each subclip in my timeline one by one, rather than relinking the master clip so that all subclips get relinked at once. It’s really tedious. I’m wondering what I did wrong in Prelude for me being forced to do this. Perhaps missing meta data? (I’ve already googled my topic with no answer to my issue.

Another work around is renaming the synced video file exported by Pluraleyes (the name is a combo of the video file name and the .wav file name), but that’s not a the best solution and also takes a lot of time.

Thanks for the help,

[Carolyn Lecorre]

Norman Bethune was a Canadian-born doctor and is a hero to Communist China. Sure, your name may be that of his, but I think you should quit posting your ad for your product as a solution you’ve discovered. All you’ve contributed is the same link to the same software site on all the threads to which you’ve “contributed”. Sketchy…

Check out: https://en.wikipedia.org/wiki/Norman_Bethune

[Carolyn Lecorre]

Unfortunately, I’m also here to add that Avid version 3.5 also has this problem. I’m finding myself exporting my timeline in a format that doesn’t trigger this error and then bringing it into compressor to get it in a format that I want. Fortunately, I’m exporting to a lower rez format for streaming.

There are no AudioSuite plugIns used in my timeline and it is another notice that comes up when that’s the issue (you’re exporting and when Avid stumbles on a section that has an unrendered plugin, well, a message comes up and the export is aborted, while you’re having lunch and expect your QT to be finished when you come back, arg!)

So if anyone can help us, thanks a bunch,

😉

[Carolyn Lecorre]

Here’s my suggestion and the logic behind it after reading comments on several forums:

Everyone says FCP is really bad for dealing with text, especially scrolling text. You should use After Effects. I will agree, but I think I found a good way around having to buy After Effects just to do scrolling credits (because not everyone wants to buy or even bother learning After Effects).

Having worked on a few projects along side graphic artists, I often incorporated their work from After Affects into my interlaced Timeline. Often, their work was outputed with the “animation” compression, giving a nice clean, non-interlaced product. I thought that perhaps if I created a timeline in FCP with the animation compression and used Boris 3d Crawl, I could get the same kind of output. Turns out I did. That timeline, I just exported as a quicktime movie and then re-imported it to my project and placed it in my NTSC timeline.

Hopefully this will work for you