Bruce Rawlings
Forum Replies Created
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Stage Tools gets my vote. Designed by a film editor and very simple to use.
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I use a Nexto 2500 for instant backup and a 17″ MacBookPro + Lacie Rugged drive for peace of mind. Lacie has been working well since the start of EX1 shooting.I always want at least 2 backups- just in case of trouble. I use SxS cards for interviews and important material more out of habit than anything else. Transcend 16gb class 6 SDHC cards in MxR adaptors have also served me without a hitch since the start of the revolution – must be over 2 years or more, I have lost count of timescale.
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I am new to Premiere nd find the same problem. I have selected a BlackMagic preset and then the pictures appear on the output HDSDI monitor.
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Solved – purely finger trouble – not choosing correct project settings for Panasonic AF101 files.
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BTW I am only a “genius” through picking up the knowledge generously imparted by Craig,Don,Noel etc. This is a great info board.
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The BPAV must not be renamed. Put the BPAV in a named folder. Every BPAV will always be called BPAV, that is why the named folder system is the way to go.
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Silly suggestion but can you hire a Datavideo or similar mixer that takes non sync sources and makes it possible to cut without any hassle.
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SDHC cards can be downloaded to the Nexto 2500 from the sdhc slot. Nexto does not recognise in my case the MxR adaptor when put in Expresscard slot.
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By minefield I did not mean it is a bad idea. I have been using them myself since 2008 without any problems. It was Craig’s findings that helped me decide the route to go (old Sandisk/Transcend 16gb/MxR). My comment was really based on seeing so many posts talking about failures with combinations of cards that are not up to it.
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A Panasonic card is not a good idea. Sandisk extreme or ATP Pro will work well. SDHC is a minefield look on this site and others for accurate info.