Forum Replies Created

Page 23 of 39
  • Bill Ravens

    June 22, 2013 at 4:52 pm in reply to: T-Tap and other external Devices

    Embedded audio in the HDMI or SDI stream will play successfully if your monitor had audio capabilities. The only reason to use an audio disembedder is if your monitor does not have audio output.

  • Bill Ravens

    June 22, 2013 at 11:57 am in reply to: T-Tap and other external Devices

    I’m using the thunderbolt/mini-monitor on a PC. It works quite well. A few observations:
    a-no audio output. need a disembedder.
    b-works quite well with Avid Symphony, despite no audio when monitoring thru the mini-moitor
    c-works well with Resolve, however, nVidia Quadro 4000 runs VERY hot

  • Bill Ravens

    June 7, 2013 at 11:31 pm in reply to: Identifying color spaces
  • Bill Ravens

    June 5, 2013 at 12:44 pm in reply to: Release of DaVinci Resolve 9.1.4

    Done

  • Bill Ravens

    June 4, 2013 at 7:35 pm in reply to: Release of DaVinci Resolve 9.1.4

    Trying to open a ProRes file causes Resolve Lite to crash. Error says QTDecoder error. And I’m running the 7.7.3 version of QT.I uninstalled 9.1.4 and went back to 9.1.3.

  • Bill Ravens

    June 4, 2013 at 12:37 am in reply to: consolidating pix 240 Dnxclips

    The WHOLE philosophy is to AMA full length files, then CONSOLIDATE only the part of the clips that I want to be used. Thereby conserving disk space and render time.

  • Bill Ravens

    June 3, 2013 at 11:59 pm in reply to: consolidating pix 240 Dnxclips

    HAHAHAHAHAHA….
    sorry to laugh. Mostly because you’ve encountered the same issue I’ve had. Numerous postings on the Avid forum has yielded no joy. Media Composer/Symphony can’t even AMA its own DNxHD format without having problems, exactly as you’ve described. I went around with the good folks at Sound devices, for a while, but, it’s an Vvid problem that has yet to be fixed.

  • Bill Ravens

    May 24, 2013 at 1:14 pm in reply to: scaled legal video

    I think a little care must be taken to assume Full Range is only for images imported as RGB.My experience has been that if I bring footage into Resolve with the auto setting….and that footage has super blacks and super whites, by the time I grade it in Resolve and export/import into Avid, I’ve inadvertently clipped the super values. Admittedly, there’s a lot of steps involved in this workflow that can result in clipped errors, but, after a lot of testing, I’ve concluded the safest practice is to i/o to Resolve with “Full Range” as the default option.

  • Bill Ravens

    April 30, 2013 at 3:45 pm in reply to: Working with MXF files

    You can download a trial version of the Calibrated{Q} MXF codec. It will allow you to play about 50% of each the OPAtom files, via Quicktime, in the Avid media Files Folder.

  • Bill Ravens

    April 11, 2013 at 11:01 am in reply to: Big Thank You to Marianna Montague

    Great thread! Mariannna is the best! This is what customer service should be. She has always been friendly and easy to deal with. And she has helped me a great deal in past interactions.

Page 23 of 39

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy