I think a little care must be taken to assume Full Range is only for images imported as RGB.My experience has been that if I bring footage into Resolve with the auto setting….and that footage has super blacks and super whites, by the time I grade it in Resolve and export/import into Avid, I’ve inadvertently clipped the super values. Admittedly, there’s a lot of steps involved in this workflow that can result in clipped errors, but, after a lot of testing, I’ve concluded the safest practice is to i/o to Resolve with “Full Range” as the default option.