Forum Replies Created

Page 249 of 306
  • Arnie Schlissel

    July 14, 2006 at 2:50 pm in reply to: low res with Varicam footage?

    [wherewolf] “Any info on workflow would be appreciated.”

    I have only 1 piece of advice: Be anal. Be very, very anal.

    The more detail oriented you are when logging your offline, the smoother your online will go. You should be especially careful about logging your reel names, & make sure you have adequate pre roll for all shots.

    Arnie
    Now in preproduction: Peristroika (Cosmological Congress), a film by Slava Tsukerman
    https://www.arniepix.com

  • Arnie Schlissel

    July 14, 2006 at 2:41 pm in reply to: Chroma Key troubles (DV)

    If you have Motion, try keying the shot there, & then you can import the motion project into FCP & drop it into your timeline. Motion has Primatte, which is a very good keyer. You can also buy a version of DV Garage’s keyer for motion.

    Arnie
    Now in preproduction: Peristroika (Cosmological Congress), a film by Slava Tsukerman
    https://www.arniepix.com

  • Sorry. go to nattress.com & look at his G Fields filter in Set 1. It allows you to swap fields.

    Arnie
    Now in preproduction: Peristroika (Cosmological Congress), a film by Slava Tsukerman
    https://www.arniepix.com

  • G Field in Nattress set 1. nattress.com

    Arnie
    Now in preproduction: Peristroika (Cosmological Congress), a film by Slava Tsukerman
    https://www.arniepix.com

  • Arnie Schlissel

    July 13, 2006 at 7:56 pm in reply to: Adjusting Video Capture Input Levels

    [CaptainMench] “Those sliders are for other capture cards should you have one.”

    Specifically, those sliders are for video coming into a capture card via analog connections.

    Arnie
    Now in preproduction: Peristroika (Cosmological Congress), a film by Slava Tsukerman
    https://www.arniepix.com

  • Arnie Schlissel

    July 12, 2006 at 9:00 pm in reply to: Rolling Credits have me stumped….

    Two things:
    1) How does it look on your video monitor? (You really need to have a PAL monitor connected to your system. Search back a couple of months on this forum to find out why)
    2) If your sequence is uncompressed anamorphic D1 PAL, then you should be rendering out from AE as uncompressed anamorphic D1 PAL.

    Arnie
    Now in preproduction: Peristroika (Cosmological Congress), a film by Slava Tsukerman
    https://www.arniepix.com

  • Arnie Schlissel

    July 12, 2006 at 1:37 pm in reply to: Panasonic P2 Store

    [Dean Sensui] “Will switching from PC to Mac delete files already on the P2 Store?”

    No. I did this last week, & all the files were intact on the P2 Store.

    Arnie
    https://www.arniepix.com

  • Arnie Schlissel

    July 11, 2006 at 2:35 pm in reply to: Is Kona what I need to uprez SD to HD?

    [walter biscardi] ” go back and recapture the footage in your timeline through the Kona 2 and uprez it to HD on the way in.”

    BTW, you’d need a DV deck that has SDI out to do this. You cannot do this via firewire.

    Arnie
    https://www.arniepix.com

  • In the browser, you can use “Find” to search for all clips from a particular reel name that’s used in a specific sequence.

    In your timeline, you can use “Find” to search for all clips that have the same name.

    Of course, you would have to have logged the footage with proper reel names & not renamed the affiliate clips in the sequence for this to work.

    Arnie
    https://www.arniepix.com

  • Arnie Schlissel

    July 9, 2006 at 2:49 pm in reply to: digitizing betacamSP as 10 bit

    [camguy] “It has a freeze frame every 3 to 8 seconds looking like a stutter effect.”

    You’re dropping frames because your disks are not fast enough.

    [camguy] “The footage is stored on a Lacie Bigger Disk Extreme HD using firewire 800.”

    FW 800 isn’t anywheres near fast enough for 10 bit. At best, it’s marginal for 8 bit.

    Arnie
    https://www.arniepix.com

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