Forum Replies Created

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  • [Bill Doyle] “do you think the ioHD, with the hardware ProRes codec, has or will change the thinking on the viability of a laptop v. desktop in closing the gap?”

    I don’t think about it in those terms, so I’d be the wrong one to ask. To me, these are different combinations of tools to work in different environments, or to meet specific needs for certain projects.

    And I believe in setting up a workflow system specifically to meet the needs of the project on hand, not in making the project conform to my existing setup.

    Do you need the mobility? If so, then a MBP with an IOHD is one of the best options. If not, then an IOHD with a MP is still a very powerful choice. If you need true uncompressed, any dual-link SDI or 2k workflow, then you won’t get it from an IOHD, you’ll need a Kona 3. I can see many situations where both a laptop on set with IOHD and a MP tower in the edit suite with a Kona 3 are needed.

    Arnie
    Now in post: Peristroika, a film by Slava Tsukerman
    https://www.arniepix.com/blog

  • [Bill Doyle] “I’ve been thinking it’s time to get back to a desktop, but I hate to give up the portability.”

    You don’t have to give up portability. You can keep the MBP & simply buy a desktop for your other needs.

    Arnie
    Now in post: Peristroika, a film by Slava Tsukerman
    https://www.arniepix.com/blog

  • Arnie Schlissel

    May 5, 2007 at 12:45 pm in reply to: More on rights, a question…

    Well, Todd, you’re on to something. You’re about 60-70% there. I think that you can probably stage a game. I suspect that if you work through the local high schools, you can probably get enough players to stage it. Then you’ll probably need to put some people in the stands. If it’s done properly, you shouldn’t need a ‘Cast of Thousands!!’, only a cast of dozens.

    Arnie
    Now in post: Peristroika, a film by Slava Tsukerman
    https://www.arniepix.com/blog

  • Arnie Schlissel

    May 5, 2007 at 12:26 pm in reply to: FireWire Storage

    With FW800, I was able to chain 3 or 4 of the My Book Pro drives together on set without any problems.

    You don’t say if it’s only one particular drive, or if it’s any drive in the 3rd position. If you haven’t already, try swapping the drives around & see what happens.

    Arnie
    Now in post: Peristroika, a film by Slava Tsukerman
    https://www.arniepix.com/blog

  • Don’t know if it will handle these files for you, but you might want to try MPEG Streamclip. If it can, this will let you do the transcoding in 1 step on your Mac from AVCHD to DVCPro HD.

    https://www.squared5.com/

    Arnie
    Now in post: Peristroika, a film by Slava Tsukerman
    https://www.arniepix.com/blog

  • Arnie Schlissel

    May 5, 2007 at 12:11 pm in reply to: DVCPRO-HD & greenscreen

    I’ve been pulling a lot of keys from footage shot on an HVX-200, which uses the same codec. It’s a bit noisy, and sometimes keys with difficulty. I wound up pulling almost all of the final keys with Shake. If you go to the Shake forum here, look up the keying tutorials Andrew Shanks posted a couple of months ago. Even though he’s using DV footage in these tutes, I found them very helpful. In particular, there’s a neat trick about blurring the U & V channels in YUV color space to smooth out jaggies that really helped.

    Arnie
    Now in post: Peristroika, a film by Slava Tsukerman
    https://www.arniepix.com/blog

  • Arnie Schlissel

    May 4, 2007 at 3:41 pm in reply to: Question for the Masters of XML

    Take a look at Traffic from XM Edit. It’s purpose built for this type of thing.

    Arnie
    Now in post: Peristroika, a film by Slava Tsukerman
    https://www.arniepix.com/blog

  • You’re confusing your graphics card (that runs your computer displays) with a video capture card that provides I/O for video tape decks & monitors.

    You’re best bet would be an appropriate card from either AJA or Decklink.

    Arnie
    Now in post: Peristroika, a film by Slava Tsukerman
    https://www.arniepix.com/blog

  • I’d run a couple of tests, to make sure that you can get matching TC. You should be able to do this either with Compressor or using the batch export in FCP.

    If you use Compressor, you can adjust the frame controls to smooth out any scaling. Make presets for the DVC Pro settings you want & the destination & make those the defaults, and it should be almost automatic.

    Likewise within FCP, once you’ve got your settings & destination set, it’s all taken care of by FCP.

    Arnie
    Now in post: Peristroika, a film by Slava Tsukerman
    https://www.arniepix.com/blog

  • Arnie Schlissel

    April 27, 2007 at 9:34 pm in reply to: Graphic with transparent background

    Sorry, I don’t do Illustrator.

    Arnie
    Now in post: Peristroika, a film by Slava Tsukerman
    https://www.arniepix.com/blog

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