[Anshul Doshi]

do you have a number for kona that you can give me where we will get support

sorry to hassle

thanks
anshul

[Anshul Doshi]

thanks walter

actually i need to have 4 channels on the output to an audio mixer

is this possible through any audio de-embedder as on output i need 4 seperate channels of audio to go to the mixer.

thanks
anshul

[Anshul Doshi]

Hi Bob

Thanks for your help

Yes, I know HD is 16:9, and what I was trying to ascertain also that if I took a regular broadcast monitor like a 14″ sony L2 which also had a RGB connection and 16:9 setting, can I use it with the adrenaline HD

Thanks and Regards

Anshul Doshi

[Anshul Doshi]

Dear Gary

We are actually shooting pure 24 frame rate, i.e 720/24p/60.

I need to do post for the same. For FCP my workflow involves digitising via HD/SDI and I get the EDL for 24 of the HD1200 deck

I use the same EDL to transfer to SMOKE for online and then do a filmout

This is the first project where we have the requirement for using an AVID to edit. I therefore need to understand whether I can use the FIREWIRE. I have the latest Express Pro HD software

I wanted to understand if there is any workflow via the firwire or will I need an adrenaline with the HD /SDI care. I guess then it will work same like FCP

Also do you know if there is a pluggin like the frame rate covnertor in FCP for Avid. If yes, could you please advice me how to digitise variable frame rate shots into the adrenaline.

Thanks and Regards
Anshul Doshi

[Anshul Doshi]

Hey all

I have a similar issue. we are shooting 720/24p/60. We are doing a true pal project using the varicam.

i have a HD1200 deck and a avid express pro Mojo HD

Do you know if the express pro HD takes in 720/24p over firewire or will it be 720/23.98 over firewire into the AVID.

Also could someone advice me how to capture variable frame footage into the Avid

Thanks and Regards

Anshul Doshi