Angelo Lorenzo
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Premiere doesn’t have this indicator.
File a feature suggestion. Adobe treats these like votes and considers those most often suggested.
https://www.adobe.com/cfusion/mmform/index.cfm?name=wishformAngelo Lorenzo
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
Premiere conforms anything it doesn’t like. More info on that and some of the exceptions here https://help.adobe.com/en_US/premierepro/cs/using/WS9FAF538A-BEE3-4925-B45A-DF8BE7F2A2E5.html
Angelo Lorenzo
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
There are different ways to measure amplitude. The peak meters are just that, they measure the peaks.
One way of doing things is to compress your signal so it squashes the peaks, then to raise the overall volume. The peaks aren’t there to clip and the “body” of the sound can be adjusted louder.
Please know that while doing hard compression and normalization to 0 may be acceptable for mastering music, if you mix dialog for broadcast, there is a more concise way of measuring volume called dialnorm; dialnorm standards usually put the average power of a spoken voice at -22-24db which allows headroom for louder sound fx as well as enough room from the noisefloor to add music beds, etc.
Angelo Lorenzo
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
Timecode Effect > Select Timecode Source as “Media” – this shows a clips timecode within the edit of the timeline rather than the timeline’s timecode.
If you want to “batch” original clips then I suggest looking at the following if you have After Effects (not tested with CS5):
https://www.fallenempiredigital.com/blog/2012/06/17/creating-dailies-string-outs-in-after-effects-with-burned-in-timecode-and-file-name/ (you’ll want to save this as an effects preset)https://www.fallenempiredigital.com/blog/2012/07/16/using-adobe-after-effects-to-batch-apply-luts-for-dailies/ (use this script to apply the effects preset, ignore the info about LUTs)
Angelo Lorenzo
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
I’ve done a number of videos just on the 4S so the format itself shouldn’t give you issues.
First is first, I would try to recopy them to your computer and see how they behave.
Are they playing without issue in Quicktime?
Angelo Lorenzo
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
I don’t believe so. If anyone else can chime in, I think Adobe is currently only optimizing for one gpu card in terms of Cuda. With that said, the gpu only renders so much of the process; this is independent of the fact you may be using gpu optimized plugins like colorista or neat video.
Angelo Lorenzo
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
Edit > Preferences > Media > uncheck “save media cache files next to originals” should do the trick.
Angelo Lorenzo
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
No. PEK files are conformed audio files and aid greatly in performance. They are generated for all video files (almost all, I think some formats like RED raw are skipped if I recall off hand). All you really have a choice to do is go into preferences and tell Premiere to render them all in Premiere’s cache (one spot) or next to the video file (better if you move the project system-to-system).
I would suggest a feature request in terms of more customization. Adobe takes suggestions as votes, so the more the better. https://www.kickstarter.com/projects/alexanderfilms/the-librarian-0
Angelo Lorenzo
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
Strange, didn’t know RED RAW couldn’t be trimmed in Premiere. They can be trimmed in Redcine-X Pro.
Angelo Lorenzo
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
I agree with Vishesh, sounds like you want to check out Mocha. At the least, Mocha’s tools are more robust when it comes to manually correcting a motion track than AE’s built in point tracker.
Angelo Lorenzo
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks