[Andy Milne]

Many thanks for the link Rob. Just the info I’m after.

Thanks for all the help guys.

[Andy Milne]

Thanks for your comments. I know the encoding is select either software OR hardware but with a CPU with on chip graphics, wondered if Premiere takes advantage of all display processors available. So uses BOTH the CPU display processors AND the PCI-E GPU. Or if you had two GPU boards would premiere take advantage of all 3. And if not how does it decide which GPU to use.

[Andy Milne]

Excuse the typo, should be:

old i7-3770

[Andy Milne]

I just found this post myself as I have the same question. Why cant we save the cache in a folder in the project. It is the most sensible solution.

Sadly both CS6 and CC do not offer this option. Has anyone found a solution?

Editing is why people like movies. Because in the end, wouldn’t we all want to edit our own lives?

[Andy Milne]

Ok, got that. Many thanks for your reply Tim.

Cheers
Andy

Editing is why people like movies. Because in the end, wouldn’t we all want to edit our own lives?

[Andy Milne]

It seems to be a Premiere bug. I have tried a demo copy of CC and the project loads fine so will try updating PP 6.0.3 to .4 and see if that fixes it.

Editing is why people like movies. Because in the end, wouldn’t we all want to edit our own lives?

[Andy Milne]

Not sure if this is a pointer but here is an excerpt from the FCP xml of a clip in the timeline:



Audio Levels
audiolevels
audiolevels
audiolevels
audio Level level 0
3.98109
1


Looks like level value is set to 1, not sure if this is 0db or low. Anyone know?

Andy

Editing is why people like movies. Because in the end, wouldn’t we all want to edit our own lives?

[Andy Milne]

Hi. The client supplied the files but they are stereo 44.1 wave clips of vote and actuality and music. He had roughly track laid for me and I tweaked and mixed the final mix. So straight wave from client with XML file consisting of main sequence and a single sub sequence which was a simple cut between audio clips.

On import all clip yellow lines on timeline are at bottom so muted.if you open the timeline clip in the source monitor the audio plays fine so the problem is in pop import or interpretation of the sequence settings.

Andy

Editing is why people like movies. Because in the end, wouldn’t we all want to edit our own lives?

[Andy Milne]

Still leaves the issue of when you do a VO record through the mixer, when you stop, the clip is created in the base bin even if the only bin open is the one you created to put the VO in, still ends up in the closed base bin.

Editing is why people like movies. Because in the end, wouldn’t we all want to edit our own lives?

[Andy Milne]

As a follow up I did some more testing in combination with Jim over on Adobe Forums. Using the same firmware version that he does “Driftwood Cluster v7 ‘Apocalypse Now’ – 6 GOP Nebula ‘444 seti” my GH2 MTS files import and export form PP CS6 without fault so the camera is not at fault as such.

At least we know it is a combination of GH2 stock compression settings and the Main Concept filters used in PP CS6. Since both sides will point the finger at the other the solution seems to be using Pro-Res transcoding or custom firmware.

So no definitive reason for the problem but a better understanding I guess.

Editing is why people like movies. Because in the end, wouldn’t we all want to edit our own lives?