[Andi Winter]

audio-mixer! scroll down, there are threads concerning
this audio-routing stuff…

[Andi Winter]

it is a simple but good way to copy all
used media in a timeline to a new location.

there is no real consolidating with handle
lenghts, but perhaps a future version will
provide that…

[Andi Winter]

ptzr is no node operation and therefore perhaps
not possible to copy. try to zoom in nodesize,
you should be able to copy and past keyframes there…

[Andi Winter]

absolutely 🙂

and yes, i did a test. that’s the way the 6 channels remain the same in the output.

halleluja, now i can sync the sound files in davinci and bring em into my dcp-suite without
headache syncwise. before it was a lot of hassle if i got the audiotracks NOT in the exact same length
or with a starting beep or…

now i can edit them in, check them syncwise and bake them into my final CC render.

[Andi Winter]

as far as i know in the recommandation 709
there is no strictly defined gamma, therefor
one has to chose the gamma of the monitor
which was used during grading.

so i think the gamma options are quite
necessary, but poor if there are only this
teo options…

[Andi Winter]

is this the common way?

[Andi Winter]

if they want that resolution, they wanna go dci, i would say.

last time i did this i did the resize in davinci, and it did a great job.

[Andi Winter]

thx juan.

but still i dont quite get it, perhaps because i am no audio guy 🙁

i have 6 discrete (mono) channels in my timeline, i go into the audio-mixer,
and then there are mapping options like:
1+2, 3+4, 5+6, 7+8 etc.

why this? i dont have stereo tracks in my timeline but mono ones! how should i map
the 6 channels if i can only map to two other channels? what am i missing?

thx again!

[Andi Winter]

there is a drop-down box at the keyframe editor: ALL/COLOR_/PTZR. if you select color,
the keyframes will only affect that node.

[Andi Winter]

why don’t you use resolve? i have no issues
doing it that way.