Alexandre Brandt
Forum Replies Created
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Could the workflow that was mentioned by Sean be also used for a HDV sequence ?
It seems to me that the success of this method lies in rendering every time possible, overnight etc. which makes preview files that will be ready when time for export comes around.
motion pictures + storytelling = ?
-> FILMMAKING ! -
Yes. Thankfully I didn’t have to much stuff.
motion pictures + storytelling = ?
-> FILMMAKING ! -
Ok. I found it. I just put the thing on “off” and then is actually works. Interesting. Thanks.
motion pictures + storytelling = ?
-> FILMMAKING ! -
Great. Thx.
motion pictures + storytelling = ?
-> FILMMAKING ! -
Ok, thank you !
motion pictures + storytelling = ?
-> FILMMAKING ! -
Ok, I now I am starting to understand the concept.
How do I access this clip mixer ? Because I seem to always get the mixer for the sequence which has all the audio tracks.motion pictures + storytelling = ?
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Hey thanks.
However, I’m having trouble with the read/write/touch mode of the mixer.
I put it in write mode, I do the pan and when I get back to the sequence, my change is not there anymore.motion pictures + storytelling = ?
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Yes sir. It works that way. Thanks Chris.
motion pictures + storytelling = ?
-> FILMMAKING ! -
I see. I found where the “select to use preview is” but how would I select the “export settings to match” ?
Thanks !motion pictures + storytelling = ?
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Some news:
I have noticed that in FCP the sequences are 8 bit YUV or YUV hight precision.
AE exports in RGB.I found the solution by exporting in AE in RGB + Alpha & putting colour setting in the output at Straight (Unmatted). It has to be exported as Animation codec.
The result in colour is good. The gamma shift is almost not their. Only if I look really and compare the two images I see that my AE export is just a tiny, winy, slightly bit brighter and less saturated. But as I said its not noticeable really.
The problem comes back when I have to transcode them back to my edit format. If I go back to HDV or ProRes the slight shift (not the large shift in Gamma I had in the beginning when I started this post, but a small one) is back again, only when I bring the clips back in FCP (not in QuickTime).
As a side note: My transcode from Animation codec to ProRes 422HQ or HDV are done with Mpeg streamclip. If I do them in Adobe Encoder, the full video becomes with a blue tint. So all colours become shades of blue (interesting…)
motion pictures + storytelling = ?
-> FILMMAKING !