_adam_
Forum Replies Created
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I 2nd the Dells.
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Hmmmm… this is really weird. FCP should be reading the frame rate correctly. I’m going to run out on a limb and guess that the files that are being delivered to you are at the wrong frame rate. If you pull ’em into Quicktime Pro and check the rate there, does it also say 23.98? You may have to ask for a re-delivery from the animation floor.
Also, I’m assuming that when you say 24fps project, you mean to say that the sequence you’re cutting on is set to 24fps. Gotta make sure them sequence settings match.
This may still be at a pretty basic level, but without knowing much about the setup over there, I’m starting by covering all the bases.
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Woah, it totally works! I seriously have to start playing around with this program more and figure out all the stuff you can do with it.
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Motion can turn image sequences into quicktimes?!?!? Man, I really gotta read the manual for that program some day.
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Shake is probably what you’re looking for. It can do all that and a whole lot more.
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Or try re-exporting the audio files, but at a much lower sampling rate (like 8 or 16khz), that (should) give it a nice “weak” effect… then pull those back in & reverb away.
Adam
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Good call! I’ll check it out tomorrow.
Thanks!
Adam
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Woah, yes! The levels are being reduced on the Audio Mixer. When double clicked, the clip in the browser shows in the Audio Mixer that the Master level is set to 0, but when put into the sequence, the Master level moves down to -12.
Any idea what’s causing this, and ideas on how to undo it? Anytime I move a clip into the timeline, regardless of where it’s coming from (the browser, another project, the finder), the Master Volume of that clip gets reduced to -12.
Thanks so much for the help!
Adam
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Fortunately enough, I’ve navigated those stormy waters. I was shooting with the DVX & shot most of my footage in advanced mode, and then at some point started (accidently) shooting in standard mode. I didn’t even realize it until I was cutting and kept seeing ghost frames. All I had to do was fix the cadence in Cinema Tools, which wasn’t hard, but time consuming and annoying. Of course, I only had about half an hour of standard footage to fix, so it wasn’t that big a deal.
Note that I wasn’t going out to film, and I don’t know how much footage you have, but I’d suggest routing all your footage through Cinema Tools to fix the pulldown and then pull the fixed media into a 24 base timeline to cut with. I don’t think you’ll have any problems.
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What gives is that’s not how you reverse clips in Final Cut Pro.
Try opening your manual for the answer to these and other basic questions.