Yoondo
Forum Replies Created
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The reason your camera flips over is because the camera body actually has crossed over
the POI of the camera. When you animate the cam. position and POI, be sure that the cam.
does not pass the POI. That should resolve that. See it from the top. Change your layer
label color to something bright so you can see the path easier. -
The reason your camera flips over is because the camera body actually has crossed over
the POI of the camera. When you animate the cam. position and POI, be sure that the cam.
does not pass the POI. That should resolve that. See it from the top. Change your layer
label color to something bright so you can see the path easier. -
PS to be more specific, copying illustrator path to AE.
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There has numerous questions on this topic. Search the post maybe under “illustrator path”
or something like that. -
I’ve had a similar problem before. The solution is if you place your lux/solid layer
underneath the light layer, it should be okay. -
Why would you need to make your people layers 3d? Just have them in 2d mode and adjust
your shadow angles in real shadows. Personally, I would have done the bg stuff in AE
totally work in 3d environment. This way, you can create a light that will cast shadow
on the people to the floor no matter where they go. Now that’s real real shadows. -
Hit UU to reveal all keyframes of the layer, ctrl+alt+A to select all keyframes and
save it as a preset. Name it and on the other layers apply the preset at the same
point of the timeline. I am not sure about the transfer mode, but that’s easy to change.
Select all layers that you want to change the transfer mode of and change on one and
they will all change(if you want the same tranfer mode on all). -
Hit the apostrophe key to show/hide the title and action safe.
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When you turn your layers into 3d layers, by moving the z handles the layers can go
behind other layers and will get lost. The sequence files are basically flat like
any other files you import. You need to keep all your layers 2d and try your composite.
Good luck -
If you are still up for it, there is one more way to do this.
Simply create a null object in the timeline then parent the layer(with keyframes)
to the null and move the position properties of the null to desired. This way,
you can still have the original layer in the comp and keep your keyframes of the
layer at the original place.