Bare in mind, for all the projects we do, the method we’ve come up with works, but will not work for everyone. Basic info: We work mostly with SD but some HD comes along | we don’t work on anything longer than a 30 min show | our projects are constantly being tweaked and changed even after the initial delivery.
For the very reasons Walter described, and the nightmares and all-nighters Media Manager managed to give me, we adopted buying drives for each project or client depending on the length, future projects, etc. We capture full rez from the get go and we never, ever have to worry about re-capturing. We have backup DVDs of Final Cut Studio project files, graphics, audio etc that can’t be captured from tape just in case the drive fails. I swore 3 years ago to never use Media Manager and with one exception (a project that came back from the dead previous to my declaration) I haven’t.
As far as I’m concerned, Media Manager’s relationship to me, is like Fredo to Michael at the end of The Godfather Part II.
Winston A. Cely
Editor/Owner | Della St. Media, LLC
Mac Pro 3GHz Dual-Core Intel Xeon
4 GB RAM | Final Cut Studio 5.1.4 | Aja Kona LHe
“If you can talk brilliantly enough about a subject, you can create the consoling allusion it has been mastered.” – Stanley Kubrick