Agreed! I thought it was just me and I was in the middle of troubleshooting and reinstalling when I saw that I was installing the new build. So far so good.
I’m with Bret. The short answer for me would be “both.”
AE is the industry standard for motion graphics, so knowing it can only be a good thing, and with Motion’s deep integration with FCPX and its $49 price tag it’s a no brainer.
I head up editorial at Interface Media Group in DC and we’re an FCPX house with 12 workstations connected to Xsan. We’ve done a ton of broadcast work in X the last few years.
Interface has had a lot of “firsts.” We were one of the first Avid shops in the Mid Atlantic in 1990, one of the first to move to FCP in 2001 (version 2, oh yeah!), and we started migrating to X in 2012.
“LAS VEGAS — In conjunction with the NAB show in Las Vegas, Apple is releasing Version 10.2 of its Final Cut Pro editing application. While the company is not formally exhibiting on the NAB show floor, Apple did give Post a look at the upgrade prior to its public release on Monday. “
It’s my impression that when you use the Media Import window to bring in your C300 footage it collects the metadata that’s in the original folder structure and re-wraps that into a new file with the media. Before the Pro Import 2.0 update you couldn’t even see the media unless it was in the proper folders. That’s what allows spanned clips to appear as single files upon import.
Using the drag and drop method works, but you do lose that metadata. I suppose that’s why you’re seeing the leave in place behavior when you import that way.