Forum Replies Created

Page 87 of 427
  • Vince Becquiot

    April 6, 2011 at 3:08 pm in reply to: Losing Video in Premiere CS4

    [Keith Emroll] “By the way, do you know if there are ways to modify the presets for a sequence? There are numerous pre-sets to choose from, but have you ever been in a situation where you’ve needed a customized one?”

    Sure, just about anything you can think of. Just hit the general tab in your new sequence settings, make your selection, there’s a save preset at the bottom. With the “Desktop” setting (I use this for mixed footage), you have access to about any resolution / frame rate.

    Vince Becquiot

    Kaptis Studios
    San Francisco – Bay Area

  • Vince Becquiot

    April 6, 2011 at 2:45 pm in reply to: CS3 project setup and exporting to letterbox

    Hi John,

    A couple of things. If the screen is 16×9, and everything shown is 16×9, the projectionist can overshoot a 4×3 projector, putting the bars off screen. Either way, I would stick with a 16×9 project, you can always dump the timeline in a 4×3 sequence and export 4×3 if you need 4×3 letterboxed.

    Vince Becquiot

    Kaptis Studios
    San Francisco – Bay Area

  • Vince Becquiot

    April 6, 2011 at 2:39 pm in reply to: Losing Video in Premiere CS4

    H Keith,

    It doesn’t look like it’s uncompressed, but at this point, I’d ask for either Quicktime Animation, Motion Jpeg, or PNG. The size will be smaller, and they all work cross platform.

    Vince Becquiot

    Kaptis Studios
    San Francisco – Bay Area

  • Vince Becquiot

    April 6, 2011 at 5:21 am in reply to: Losing Video in Premiere CS4

    Hi Keith,

    If you right click on the clip and hit properties, what does it say about the video format?

    What codec did she use for export?

    Vince Becquiot

    Kaptis Studios
    San Francisco – Bay Area

  • Vince Becquiot

    April 6, 2011 at 5:19 am in reply to: h.264 stream compatibility?

    Hi Adam,

    I believe what you changed was basically the encoding complexity, which puts less strain in the CPU / graphics.

    Vince Becquiot

    Kaptis Studios
    San Francisco – Bay Area

  • Hi Scott,

    Not sure where you were able to purchase that cable, but I doubt this would ever work without specialized software or hardware.

    DV stream can only be sent from Firewire to Firewire.

    To capture to USB, the signal has to be re-compressed in realtime, and of course that means further degradations in quality.

    There is this solution, but the reviews seem to agree with me…

    Vince Becquiot

    Kaptis Studios
    San Francisco – Bay Area

  • Vince Becquiot

    March 31, 2011 at 12:58 am in reply to: Putting yourself in the viewer’s seat

    Gentlemen,

    All very insightful posts, thank you very much.

    Vince Becquiot

    Kaptis Studios
    San Francisco – Bay Area

  • Not sure if this laptop has an express card slot, but if it does, I’d highly recommend an eSata card. That would allow you to use a external eStata drive at the minimum, or even a small RAID array.

    Vince Becquiot

    Kaptis Studios
    San Francisco – Bay Area

  • Vince Becquiot

    March 28, 2011 at 7:20 pm in reply to: Bullitt Titles

    Hi Jim,

    Very simple, put your title right over the track you want to fill it with, apply the “Track Matte Key” effect to the footage below, select the track above as matte, done.

    Vince Becquiot

    Kaptis Studios
    San Francisco – Bay Area

  • That could a completely different issue. Have you tried importing the project into a new CS5 project?

    If you haven’t used project manager for the transfer, now would be a good time…

    Vince Becquiot

    Kaptis Studios
    San Francisco – Bay Area

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