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Vince Becquiot
June 15, 2011 at 3:52 am in reply to: colour bursts and flashes

Hi Alper,

This can be as simple as shooting your own footage with quick overexposure changes and adding that on top of your existing clips using custom overlay modes.

Vince Becquiot

Kaptis Studios
San Francisco – Bay Area
Vince Becquiot
June 13, 2011 at 10:44 pm in reply to: Nested Sequences “Pass Through” Opacity

Unfortunately, that’s where After Effects kicks in…

There is no way to do pass through in Premiere as far as I know.

On top of that, a simple dynamic linked layer from After Effects will likely play about as well as a nested sequence.

Vince Becquiot

Kaptis Studios
San Francisco – Bay Area
Vince Becquiot
June 11, 2011 at 5:38 am in reply to: Premiere Pro CS 5.5 versus Final Cut Pro

It’s very difficult to compare rendering time. First, let’s understand that Apple’s H.264 is far from being ranked at the top in terms of quality.

Then you have to take into account what effects are in the timeline and what format you are starting with. Keep in mind that you are not working with Prores native, you’ll have to wait for FCP to ingest and transcode on the front end.

I also believe that most FCP machines you see around are on average better fine tuned that many home build PCs.

In the end, FCP could quite possibly be faster, I have never put renders up for comparison.

Vince Becquiot

Kaptis Studios
San Francisco – Bay Area
Vince Becquiot
June 11, 2011 at 4:26 am in reply to: Premiere Pro CS 5.5 versus Final Cut Pro

Neil,

The bottom line is, use what you feel most comfortable with.

FCP will likely be a bit more stable since it mostly relies on one format, Prores. I myself ingest a ton a things coming from who knows where, so I love the flexibility of Premiere, even then, I rarely see any crashes.

I also happen to be a fan of After Effects and Cinema 4D, the integration between the 3 is a no brainer for me. But again, I have both platforms, so if a client shows up with a Final Cut project, no problem.

You could look into a Mac pro and get both at some point?

Vince Becquiot

Kaptis Studios
San Francisco – Bay Area
Vince Becquiot
June 8, 2011 at 4:52 pm in reply to: CS 5.5 renders MPEG 2 poorly compared to cs 5.0

Hi Ted,

Let’s try an export at 648×480 and set your pixel aspect ratio to square.

Vince Becquiot

Kaptis Studios
San Francisco – Bay Area
Vince Becquiot
June 8, 2011 at 4:47 pm in reply to: CS4: Importing MOV file

Hi William,

Check Revostok, on the right side it will give you a panel with file information for that particular footage. We can troubleshoot once we know what it is.

Cheers,

Vince Becquiot

Kaptis Studios
San Francisco – Bay Area
Vince Becquiot
June 7, 2011 at 11:42 pm in reply to: Ratio sizes from after effects to premiere?

Mick,

Make sure your PAR (Pixel Aspect Ratio) is set to 1.

Vince Becquiot

Kaptis Studios
San Francisco – Bay Area
Vince Becquiot
June 7, 2011 at 11:37 pm in reply to: Real Time Capturing?

I would look at Adobe on Location, perfect for that.

Vince Becquiot

Kaptis Studios
San Francisco – Bay Area
Vince Becquiot
June 7, 2011 at 9:10 pm in reply to: Clip Notes in CS5.5

HI Jim,

It’s all in the cloud…

You can set it up via Premiere, or check it out here.

I prefer sites like ProVDN myself.

Vince Becquiot

Kaptis Studios
San Francisco – Bay Area
Vince Becquiot
June 7, 2011 at 6:42 pm in reply to: Adobe titling smooth scrolling in PAL

That would be the time it take to go from one end to the other (in seconds).

Some problem can also come up if you export to mpeg formats because of incomplete frame compression. If you are exporting to H.264, try an uncompressed export first, then reimport and export to the format you need.

Vince Becquiot

Kaptis Studios
San Francisco – Bay Area

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