Vince Becquiot
Forum Replies Created
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How about one of these?
https://www.presonus.com/products/AudioBox-22VSL
This will get you 1/4″ or XLR in and USB out. You can use it with most Adobe apps for capture, including Premiere and audition.
If you need something a bit more compact, look at this one, also a great product:
https://centrance.com/products/mp/
Vince Becquiot
San Francisco Bay Area
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Choose H.264 from the format drop down menu instead of Quicktime.
Set your bit rate to VBR 2 pass at around 15 Mb/s/ max 20. You can go lower if most shots are steady or on sticks.
That should get you a pretty good export quality.
Vince Becquiot
San Francisco Bay Area
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Hi Ali,
Check the blend settings under Opacity in your effects control panel, it may be set to Luminosity.
Vince Becquiot
San Francisco Bay Area
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Vince Becquiot
May 9, 2014 at 6:34 pm in reply to: Patent trolls: this is why we can’t have nice thingsSpeaking of white backgrounds and Apple…
Vince Becquiot
San Francisco Bay Area
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Hi Benjamin,
That’s going to be fun, and probably sound like crap 🙂
The only way to achieve this is through compression. In CS6, you can use the dynamics>Compressor effect. Your goal is use play with the gain (make up), threshold, and ratio to get the levels in a tighter range. This is something that takes a bit of work, especially if you are not doing it often.
So, you start by lowering the threshold, then you bring up the gain, back and forth, bring the ratio higher if needed until you hear / see what your like.
Vince Becquiot
San Francisco Bay Area
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Vince Becquiot
May 1, 2014 at 10:47 pm in reply to: Speech analysis on a sequence level in Premiere Pro CCHuman transcription is pretty cheap and much more accurate (less than $50 / recorded hour on average), and you can ask for timecode page breaks.
Premiere will need to render out for transcription and the results are often not what you would expect.
pm me if you need some contacts.
Vince Becquiot
San Francisco Bay Area
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Vince Becquiot
April 30, 2014 at 12:49 am in reply to: Aliasing in Premiere Pro CS6 & Flicker Removal causing too much blurIn that case, you may want to check your export settings. You can try progressive, that usually solves the issue, but you may also lose quality in the process.
If you know the field order in your original footage, you can right click on the footage inside the project panel, choose interpret footage or Modify >interpret footage and make sure the field order is correct. If you are not sure, try a couple of ways and see where things improve.
Vince Becquiot
San Francisco Bay Area
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Vince Becquiot
April 30, 2014 at 12:33 am in reply to: Aliasing in Premiere Pro CS6 & Flicker Removal causing too much blurIf it’s only in the Premiere preview, I wouldn’t worry about it. These are probably just interlacing lines.
If you view your preview on an external monitor, these usually go away.
Vince Becquiot
San Francisco Bay Area
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Vince Becquiot
April 28, 2014 at 6:26 pm in reply to: Audio Interferance When Exported Via Adobe Media Encoder[Paul Kozinski] “But do you mean even if I made the project in a previous version it’s gonna have that fault? Is there a way around this anyone know?”
I’m not sure. It just didn’t seem to disappear completely after the update, so I assumed it may be linked to existing projects as well.
I have yet to see that issue again in the last month.
Vince
Vince Becquiot
San Francisco Bay Area
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Vince Becquiot
April 28, 2014 at 4:41 pm in reply to: What is the secret recipe to exporting composited videoAs long as your sequence panel is selected, that’s what will render.
Vince Becquiot
San Francisco Bay Area