[Ty Ford]

A basic “deal memo” can be as simple as a single page email that covers what’s expected of each other and when you’ll get paid.

If you are concerned, if not before the gig, have them sign a copy when you show up for work.

Regards,

Ty Ford

Ty Ford’s “Audio Bootcamp Field Guide” was written for video people who want better audio. More at: https://home.comcast.net/~tyreeford/AudioBootcamp.html
or https://www.tyford.com

[Ty Ford]

In reading all of these posts, one thing becomes clear.
CL is part of the major shift in the way business is done today.

It’s sort of like life in an aquarium. There are bottom feeders, and everything up from that.

There are more of us in the aquarium these days because working life spans are longer. We now have 20 somethings and 60 somethings in the same market. That’s pretty extraordinary.

CL hasn’t given me the quality of leads that some of you have gotten. I see mostly “do it for free for your reel or ridiculously low cost.”

I’ve had much better luck with local and regional crewing services.

Regards,

Ty Ford

Ty Ford’s “Audio Bootcamp Field Guide” was written for video people who want better audio. More at: https://home.comcast.net/~tyreeford/AudioBootcamp.html
or https://www.tyford.com

[Ty Ford]

Hello Martin,

AT897
Line + Gradient Condenser Microphone

MSRP* US$369.00 (That’s list, street is less)

Audio-Technica

[Ty Ford]

Hello Ed,

It’s a bit difficult to answer your question without hearing what might be improved. Can you steer us to a clip?

Regards,

Ty Ford

Ty Ford’s “Audio Bootcamp Field Guide” was written for video people who want better audio. More at: https://home.comcast.net/~tyreeford/AudioBootcamp.html
or https://www.tyford.com

[Ty Ford]

Hello Larry,

I’d probably be limiting while I was recording and compressing an limiting while doing the final mix.

Regards,

Ty Ford

Ty Ford’s “Audio Bootcamp Field Guide” was written for video people who want better audio. More at: https://home.comcast.net/~tyreeford/AudioBootcamp.html
or https://www.tyford.com

[Ty Ford]

Sounds like you’re plugging it in to a line level input instead of a mic level input.

Regards,

Ty Ford

Ty Ford’s “Audio Bootcamp Field Guide” was written for video people who want better audio. More at: https://home.comcast.net/~tyreeford/AudioBootcamp.html
or https://www.tyford.com

[Ty Ford]

Juanjo,

Sorry, I didn’t express myself properly.

You don’t mention at what frame rate the audio was recorded. Could that be the change?

I think (not certain) that I have read that you’re supposed to record the audio at 30 ND during shooting.

Has the Pro Tools guy tried 30 ND?

I am not the final word on this. If no one comes up with an answer, try the RAMPS news group.

Regards,

Ty Ford

Ty Ford’s “Audio Bootcamp Field Guide” was written for video people who want better audio. More at: https://home.comcast.net/~tyreeford/AudioBootcamp.html
or https://www.tyford.com

[Ty Ford]

Hello Juanjo,

Have you tried 30 non drop for the audio?

Regards,

Ty Ford

Ty Ford’s “Audio Bootcamp Field Guide” was written for video people who want better audio. More at: https://home.comcast.net/~tyreeford/AudioBootcamp.html
or https://www.tyford.com

[Ty Ford]

Hello Luke,

I have been a very happy Pro Tools LE user, currently with a DIGI 002Rack. There is a learning curve, but if you go to my site and click on the Ty Ford Music Sampler, you can hear some of the music I produce here.

Regards,

Ty Ford

Want better productio audio? Ty Ford’s “Audio Bootcamp Field Guide” was written for video people who want better audio. More at: https://home.comcast.net/~tyreeford/AudioBootcamp.html
or https://www.tyford.com

[Ty Ford]

🙂

Want better productio audio? Ty Ford’s “Audio Bootcamp Field Guide” was written for video people who want better audio. More at: https://home.comcast.net/~tyreeford/AudioBootcamp.html
or https://www.tyford.com