Tudor "ted" jelescu
Forum Replies Created
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No issues yet with AE CC, but heavily frustrated with Premiere Pro CC.
If you want to try uninstalling again use this:
https://helpx.adobe.com/creative-suite/kb/cs5-cleaner-tool-installation-problems.htmlTudor “Ted” Jelescu
Senior VFX Artist -
Sounds like a straight matte cutting and compositing job, using a camera track to match the move for the text.
Tudor “Ted” Jelescu
Senior VFX Artist -
Pull key. Render black and white matte. Find Edges. Multiply and use that as 3d layers to create effect.
That’s one way I can think of.Tudor “Ted” Jelescu
Senior VFX Artist -
Animate using Puppet tool inside a precomp and have the precomp in the final 3d comp as a 3d layer.
Tudor “Ted” Jelescu
Senior VFX Artist -
This may help you:
https://www.videocopilot.net/tutorials/old_film_look/
Tudor “Ted” Jelescu
Senior VFX Artist -
ML does not mess with the Canon software- it runs on top of it (except the dual ISO – that re-writes the soft on the sensor, but it’s a separate install). So no issues with warranty.
Tudor “Ted” Jelescu
Senior VFX Artist -
Here’s a good review for the Canon XA25:
https://camcorders.reviewed.com/content/canon-xa25-camcorder-review
My opinion (similar to the one of the reviewer above) is that you can get more for the money if you use a cheaper DSLR option. You may even have a Canon DSLR that can be used with Magic Latern (ML) to shoot even RAW. Even older Canon DSLR’s can do a great job. Add a moire filter from Mosaic Engineering on a 7D or 5D MkII and you’ll get the same smooth video as on a 5D MkIII for half the price. If you want to record to a Ninja device, ML will also take care of cleaning the overlays on the HDMI video out.
ML:
Mosaic Engineering:
https://www.mosaicengineering.com/products/vaf/7d.html
Tudor “Ted” Jelescu
Senior VFX Artist -
Work @32bit color, match the effects to the footage as close as possible ( color, grain, softness…) and grade the final.
Tudor “Ted” Jelescu
Senior VFX Artist -
Tero had some good advice – match the grain, color and softness of the original footage. Work at 32bit, do not color correct (my advice). If you need any sort of color correction slap a Adjustment layer on top, apply color correction to it, do your work and then turn that off for final rendering.
Tudor “Ted” Jelescu
Senior VFX Artist -
Like Darby I recommend using the Intermediate result and a separate Spill Suppressor. Ae’s own worked for me quite well. However, in some tough situations you can use this:
https://aescripts.com/spill-slayer/Tudor “Ted” Jelescu
Senior VFX Artist