Trent Happel
Forum Replies Created
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Under Basic Video Settings, you can set the Field Order to Upper First or Lower First.
Trent Happel
Adobe
Premiere Pro -
Premiere only natively supports MXF export for DNxHD. For QuickTime DNxHD export, you will need to download the codecs from Avid. They can be found here: https://avid.force.com/pkb/articles/en_US/download/Avid-QuickTime-Codecs-LE
I believe there may be some flavors of Avid MXF files that Premiere may not support. When you went to import the Avid file, did it provide a File Import Failure dialog with a message that file is not supported?
Trent Happel
Adobe
Premiere Pro -
Right-click the “fx” icon in the waveform (in Sequence). Select Volume > Level.
Trent Happel
Adobe
Premiere Pro -
Is this what you are looking for?
Trent Happel
Adobe
Premiere Pro -
When you create a Sequence, select the Tracks tab. Under the Audio section, you will see Master: with a drop down menu. Select MultiChannel from this menu. More details are in the link.
As far as proxy formats, it usually comes down to desired parameters (frame size, frame rate, compression quality, etc.) and does it perform well on your system. From there, it’s personal preference. ProRes works well on Macs. DNxHD is popular for cross-platform. Others stay native and lower the Playback Resolution and Paused Resolution for better performance.
Trent Happel
Adobe
Premiere Pro -
Was your Sequence master audio set to Multichannel audio tracks? Also, which export format are you trying? Some are limited in the types of audio channel support.
Here’s a link that might be helpful:
https://blogs.adobe.com/VideoRoad/2015/02/multichannel-audio-in-premiere-pro.htmlTrent Happel
Adobe
Premiere Pro -
The release date has yet to be announced. Can’t say any more than that, other than to keep checking https://www.facebook.com/premierepro.
Trent Happel
Adobe
Premiere Pro -
Consolidate and Transcode does not support transcoding parameter changes (e.g.: frame size, frame rate, fielding or PAR) from the source files. It was designed to keep the parameters of the source files, but transcode to different (unified) codec for archival purposes.
For your desired workflow, you would need to transcode your files to your desired parameters and then Consolidate and Transcode. You could use your created 1080×1920 preset with Render and Replace set to Source: Sequence. This will force transcode your 1920×1080 clips to 1080×1920. Then Consolidate and Transcode with the same preset. Since you are transcoding the Render and Replace clips, it should smart render (since it is transcoding ProRes to ProRes).
Hope this workaround meets your needs.
Trent Happel
Adobe
Premiere Pro -
When a clip is selected, you could add information to any one of the numerous options in the Metadata panel. If you are in List View in the Project panel, you could also enter information in any of the columns (Description, Log Note, etc.) and move the column closer to the name of the clip for easier viewing.
Trent Happel
Adobe
Premiere Pro -
It’s not shipping yet. A tech demo was shown at NAB and there are a few demo videos available online.
eg:
https://www.youtube.com/watch?v=J6wPUtKg-Ac
https://www.youtube.com/watch?v=O1clWi4hta4Trent Happel
Adobe
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