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Forum Replies Created
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Better filter management. After Effects style Adjustment Layers or a way to remove specific filters from a range of clips on a timeline. Ability to turn on or off selected filters. Redo Time-Mapping, support progressive renders of motion effects in an interlaced timeline… many more.
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You can use Cinema Tools to conform the footage to 23.98fps.
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I’ve found it to be faster overall. There is no longer that molasses in the timeline when working on long-form projects, or projects with many cuts.
In FCP 4.5 I use to break up my edits into 10 minute blocks because the slowdown was unbearable. With FCP 5.0 I cut the full program within the timeline, no slowdowns.
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Nope. It’s a video clip with no scaling applied. Straight clean DV footage from the viewer. I can’t be the only person noticing this.
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I found a slight workaround, and that’s just to turn on Luma Range Checking. Not the best solution.
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Hard to do when there’s nothing that needs rendering, meaning it’s clean footage straight to the timeline. Is it acknowledged that this is a bug?
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Compressor does an amazing job with natural source footage slowing down. It’s the best slow-down “plug-in” for the quality. However, you can control the parameters you can with some of the other plug-ins on the market. ReTimer is probably the most full featured slowdown plugin.
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If you are printing video frames at 300dpi, the largest you can print at is something like 2 inches x 1.5 inches in size. You really can’t expect to print full framed DVD covers and get the quality and resolution that you see on your big TV. Either re-work your design to incorporate multiple frame grabs, or get wedding day photos from their photo album and use those instead.
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What’s the difference between using this filter as opposed to using the 3-way Color Corrector and lowering the whites to under 100 IRE?