Forum Replies Created

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  • Tony West

    May 5, 2014 at 4:00 pm in reply to: Way OT: Reinvention of the wheel

    [Craig Alan] “I struggle with getting an unnatural spotlight look when I use the mask. I try making it more subtle and feathering but I am never pleased with the result.”

    Yes I have seen that but I pretty much use it the way you do, very subtle and feather it.

    Sometimes just bringing up the level on just the talents face.

    [Craig Alan] “Do you ever use more than one puck adjustment for say midtones on a different layer? That is adjust more than one color up or down for mid tones?”

    I don’t have to do that very often but have before. When there is an over all green or yellow cast to the shot because of odd lights in the building and run and gun. (I hate run and gun)

  • Tony West

    May 1, 2014 at 3:39 pm in reply to: new mac pro & fcpx = slow?!

    [Marcus Moore] “Really, you should only need to use something like this over an entire timeline when something has gone horribly wrong on set.”

    I have never used it over an entire timeline myself, (I don’t know if you were responding to the OP or me)

    I have only used it on small sections and it’s slow on that. I couldn’t imagine using it on an entire timeline

  • Tony West

    May 1, 2014 at 2:55 pm in reply to: new mac pro & fcpx = slow?!

    [Marcus Moore] “Yeah, it’s Neat Video. Great plugin, but a pig for rendering,”

    Just wanted to double this…

    I love what the program can do but it’s so slow I hesitate to use it. I hope they are able to improve it in the future.

  • Tony West

    April 28, 2014 at 3:45 pm in reply to: Way OT: Reinvention of the wheel

    I like those guys and it’s a fun video, but I like that color board also.

    Just straight forward to me, slide over to the color you want less of or more of and add or subtract.

    Add as many layers as you want. I like using the shape mask to.

  • Tony West

    April 25, 2014 at 1:56 pm in reply to: Bob Zelin wasn’t too kind to X

    [Bill Davis] “Arri SMB-1!”

    That’s awesome Bill if you have time to use it.

    So often we get into that run and gun situation.

    Even shooting an interview inside and then b-roll of the person outside their house feeding horses.

    It would be cool to have the option when you need it and I need it a lot : )

  • Tony West

    April 24, 2014 at 10:03 pm in reply to: Bob Zelin wasn’t too kind to X

    [Oliver Peters] “There is a lot of use of HDMI. Just depends on the spec involved.”

    No doubt. I like it being there, just seems like they could have tossed the filter wheel in there also, since we are talking about convenience.

  • Tony West

    April 24, 2014 at 9:16 pm in reply to: Bob Zelin wasn’t too kind to X

    [Lance Bachelder] “The CION design had film shooters in mind vs. video style shooting.”

    I don’t know Lance if I buy that completely.

    It has HDMI output which seems more a video need. (go into any consumer monitor rather than a high end one that only takes SDI)

    But the topper for me is they have it shooting a baseball game in their ad in the workflow section.

    Can’t think of a more video style event than that. Or one that I would want a filter wheel less : )

  • Tony West

    April 24, 2014 at 12:21 am in reply to: Bob Zelin wasn’t too kind to X

    [Andrew Kimery] “[Bob Woodhead] “Really, I’m interested in the “why not” of this.”

    I’m going to go with $$$.”

    I’m going with it also.

    To get the price down that low you gotta cut some corners.

  • Tony West

    April 23, 2014 at 8:56 pm in reply to: But it’s a DRY camera heat…

    [Walter Soyka] “Who do you think this will affect most, and how? Canon? Sony? Panasonic? ARRI? RED?”

    I would say first it effects rental houses who have invested in those you listed.

    It used to be you could take some time and get a camera paid off before people where asking for the newest latest thing (that was half what you paid for yours).

    I don’t know about others, but there is still a trust factor when I’m putting down the cash.

    BM has not been making cameras long enough to have a track record form me, and the same for AJA

    I know about Sony, Panasonic and Canon.

    I have yet to see anybody out in the field shooting with a BM camera. Maybe this new one will change that.

    I hope that Sony and the rest don’t start sacrificing quality to get down to a cheap price to compete.

    A race to the bottom if you will.

    You could save money on the upfront price of a camera but if it goes down on a important job and bags you will it be worth it.

    On a side note, I noticed that X is on the laptop in their ad for the CION

    Interesting.

  • Tony West

    April 15, 2014 at 12:14 pm in reply to: Five Days in Vegas – Notes from the field.

    Here was Larry Jordan’s reaction to it being added back in 2006. Kind of funny.

    “I’ve of two-minds about this technique. I’m intrigued that Final Cut decided to include it and I can’t, for the life of me, figure out how it would be useful.”

    https://www.larryjordan.biz/asymmetric-trimming-in-the-timeline/

    I wonder if reactions like that had them thinking it wasn’t all that high a priority.

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