Forum Replies Created

Page 6 of 15
  • Todd Mcmullen

    August 26, 2008 at 3:34 pm in reply to: Best compression for BetaSP

    thanks everyone to your input.
    I will be coming out component to the kona 2 card. Or would it be better to come out component to an AJA component to SDI converter then to a kona 3 card. Seems it would be same.

    Todd McMullen
    Flip Flop Films
    Austin
    http://www.toddmcmullen.com

  • Todd Mcmullen

    July 24, 2008 at 5:58 pm in reply to: Tips for shooting an intense action scene?

    Well there are a number of tips and styles to amp up you images. Obviously hand held camera and interesting angle and lighting is a bonus. a good quick pacing in editing is also good. And you can add some additional ambiance to your scene to give it another level of depth, ie…rain, snow, smoke, moving traffic, you get the idea
    go for broke

    You can check out some examples at my website; here I think

    http://www.toddmcmullen.com

    cheers

    Todd McMullen
    Flip Flop Films
    Austin
    http://www.toddmcmullen.com

  • Todd Mcmullen

    June 13, 2008 at 1:01 pm in reply to: No Dolly? No Problem!

    Brilliant.
    Obviously the secret is having some foreground to pass by or through.
    You good take it a step further and zoom while you do the move.
    very cool

    Todd McMullen
    Flip Flop Films
    Austin
    http://www.toddmcmullen.com

  • Todd Mcmullen

    June 13, 2008 at 12:55 pm in reply to: Welcome Rick Wise!

    Yes welcome Rick.
    Trying to search my mental hard drive but I believe we have worked together in the past.
    I spent my early years working in the Sacramento area.
    We look forward to tapping into your experience and knowledge.
    Cheers

    Todd McMullen
    Flip Flop Films
    Austin
    http://www.toddmcmullen.com

  • Todd Mcmullen

    June 2, 2008 at 4:34 pm in reply to: Shooting stadium lights.

    You can also have them on and shoot them turning off then reverse.

    Todd McMullen
    Flip Flop Films
    Austin
    http://www.toddmcmullen.com

  • Todd Mcmullen

    May 4, 2008 at 12:41 pm in reply to: shot list for a scene from glengarry glen ross

    Mathew,
    I did not look at this clip but in this situation it might be best to do a couple of different angles
    of a wide shot and then let your camera operator go in an cover it free form. Your operator should know what your actors are doing by then and be able to cover the action. After a few of those passes pick up the moments and dialogue you have missed and you should have a pretty interesting scene. IMO to stage each shot with all these people will turn into a boring scene.

    Todd McMullen
    Flip Flop Films
    Austin
    http://www.toddmcmullen.com

  • Todd Mcmullen

    April 16, 2008 at 1:26 pm in reply to: Best way to emphasize a surprise?

    Reference other films. The reveal of the mutants in I am legend was interesting. and
    when we see drac hanging upside down in Bram stokers Dracula was very effective.

    hth

    Todd McMullen
    Flip Flop Films
    Austin
    http://www.toddmcmullen.com

  • Todd Mcmullen

    February 14, 2008 at 9:06 pm in reply to: Shooting a low-budget car chase

    Man I agree with Leo.

    I worked as a camera assistant on one of those Batman movies years ago, it was the one with Val kilmer. anyway, we shot most of the car footage at 18fps, and 20fps. Just to give the car a little more speed and excitement. But when I saw the movie I couldn’t beleive how slow the car looked like it was going. So whats the point, not sure but quick cuts and shaky camera work will help.

    Depending on where you live, you could scan the local police reports and possibly catch a good car chase, then go shoot some of the car going through traffic and intercut your own stuff. Highly unlikely circumstance but you are dealing with a highly difficult situation.

    Good luck

    Todd McMullen
    Flip Flop Films
    Austin
    http://www.toddmcmullen.com

  • Todd Mcmullen

    February 10, 2008 at 2:03 am in reply to: Shooting Near Water

    pat,

    considering the fact that you will be shooting sd video I would highly recommend that you shoot this early in the day and late in the day. I polarizer can only take you so far. And even film doesn’t look so good in high noon.

    of course you may want to have that de-saturated look so you can accurately document what it is truly like there. May add to your story.

    cheers

    Todd McMullen
    Flip Flop Films
    Austin
    http://www.toddmcmullen.com

  • Todd Mcmullen

    February 9, 2008 at 3:19 pm in reply to: Not seeing clips in p2 viewer for import

    Noah,
    Makes sense. Still not sure why some clips will not show up in viewer while the clips will be converted in the cue.

    Todd McMullen
    Flip Flop Films
    Austin
    http://www.toddmcmullen.com

Page 6 of 15

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy