Timothy Auld
Forum Replies Created
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I won’t speak to the shooting (I could but I won’t) but there is nothing other than very simplistic picture and sound editorial going on here. RM 440 work.
Tim
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To paraphrase Edmund Kean: “Picture editing is easy. Dialogue editing is hard.”
Tim
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[Walter Soyka] “I think we are losing real-world context for how the outage affected (or didn’t affect) CC customers.”
Then it’s all good…unless of course you’re not among those lucky enough not to be affected.
Tim
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Pleasant idea Tim, but the barbarians are at the gate and there is no going back.
Tim
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I understand. I cancelled my intro price subscription when the convergence of a project’s end and my subscription year coincided. I can’t justify paying double what I paid last year to have a bunch of resident software that I will never use. I may have to re-up with Premiere at $19/month but any other Adobe application I use will be from my perpetual CS6 license. Their CC pricing is just goofy.
Tim
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In an empirical sense (which is from whence I spoke) no, I don’t. Film resolution and dynamic range beats any currently existing digital format all to hell. People have created great work in all formats and with all NLE’s. But – again economics aside – if I had to pick an acquisition mode with the most flexibility and the best output that would have to -still – be film. If you are arguing that any current digital acquisition mode is superior in image quality to film the I have to suggest that you are wrong,
Tim
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With influential directors like Christopher Nolan still shooting on film I’d be willing to bet that new DP’s have at least a passing interest in learning the ins and outs of shooting on film. With the resolution and range that film provides it is, with a proper projection system, the absolute best way to acquire and project images for the purpose of storytelling. Economics aside I don’t know how anyone could argue that point.
Tim
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Speed Razor?
Tim
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And that’s what most of the big guys are doing, protecting for future syndication. Until Mega HD comes along (two years?) As I’ve always said, we are working our way back to film resolution.
Tim
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That is just too funny. Thank you Steve.
Tim