Tero Ahlfors
3
COW Coins
1
Solve Coin
Forum Replies Created
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You can also duplicate the sequence by right clicking it in the project panel. You can then replace what you need in that.
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By its specification (if it hasn’t changed) Prores is a VBR codec so while you can export it with different settings you might run into trouble if you’re sending it to some sort of quality control check.
I don’t believe the quality will change at all. The file size might be a bit bigger.
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The estimate is, well, an estimation. It doesn’t know if the video you’re exporting needs that much bitrate and if there’s something simple like text on a background it goes in a smaller space.
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[Simon Ubsdell] “Have Apple come up with a new, more aesthetically pleasing, or more operationally efficient concept?”
I’d hope it’s just a bug instead of a new, undocumented paradigm. Too bad because those tools look pretty nifty.
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[manoj yadav] “budget under 70k”
What currency are we talking about?
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By exact I mean the _exact_ export settings. Like a screencapture of your settings if you don’t want to write them out.
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What are your exact export/sequence settings? Are you using any effects?
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That machine should be fine unless the templates you want to use need heavy rendering.
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[Robert Olding] “I took awhile to figure this all out but at least we’ve now got a workflow between Resolve, AfterEffects, and FCP X where the colors/gamma now match.”
Setting up an internal color pipeline where you have identical results between different professional tools is a good way to go. However this won’t help with the issue that different media players/video services can’t agree on how your exported file should look.
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[Kamil Iwanowicz] “Any thoughts ;)?”
Yes. There is no single format that will look the same in every player. If someone came up with a format or technique that did that he/she would be rich and win a bunch of technical awards.
The only thing that one could do is make a version that will look correct on a specific VOD service on a specific OS on a specific browser. Or in an offline case a specific media player with identical settings that you have. This isn’t really feasible if you need to make, let’s say, 2 services x 2 OS x 4 browsers = 16 unique versions of one file for a single web commercial.
I’m not trying to discourage your testing but there’s a reason this is unsolvable as of now. Because it actually is.