Forum Replies Created

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  • Tero Ahlfors

    January 9, 2018 at 4:41 am in reply to: So many ways to color correct…

    [Michael Gissing] “Is that an option in Resolve? Head exploding in a good way I hope”

    It’s a kludge to actually use so heads are exploding trying to deal with it. Some people have made workflows for it.

  • Tero Ahlfors

    January 8, 2018 at 9:48 pm in reply to: Premier Pro CC sudenly can’t open, what now?

    Try trashing your preferences.

  • Tero Ahlfors

    January 8, 2018 at 9:12 pm in reply to: More “demystification”…

    How scopes are shown/read should not have any effect on how the tools work. If one wants to see how the actual SDI signal looks one should check out a hardware rasterizer. Full/legal range and subblacks/subwhites have been a thing since forever and there have been workflows for those as well.

    ¯\_(ツ)_/¯

  • Tero Ahlfors

    January 8, 2018 at 8:29 pm in reply to: So many ways to color correct…

    [Duke Sweden] “He dragged an adjustment layer onto his timeline, overextended it by about an inch, and instead of just dragging it back to where it should have been, he grabs the razor blade tool and cuts off the excess!”

    I do this sometimes when I forget that the extend command exists. The razor blade snaps on edits so it’s pretty fast to use that in some cases.
    Like in grading there’s no set standards how you should work in an NLE. Unless you ask an Avid user ???? or you have a certain post workflow you need to keep in mind.

  • Tero Ahlfors

    January 8, 2018 at 7:02 am in reply to: Kicking the tires of Resolve

    [Erik Davis] ” I don’t see anyway in the manual to replace existing proxy files with the source original files with the exact same names but different extensions. “

    Page 592 “Using the ‘reconform from bins’ command”

  • Tero Ahlfors

    January 8, 2018 at 5:20 am in reply to: So many ways to color correct…

    There are no standards on how one would use the tools (there are pitfalls though) but there are standards that you’ll need to adhere to if you’re actually doing stuff professionally. For example if you need to grade/convert to a certain color space and gamma or you need to make sure your delivery is broadcast safe etc.

  • Tero Ahlfors

    January 8, 2018 at 5:08 am in reply to: Death Grips Music video Eh. How was it done?

    Most likely they shot this with a some sort of IR depth camera (like the Kinect) with some funky settings.

  • Tero Ahlfors

    January 6, 2018 at 8:09 pm in reply to: Kicking the tires of Resolve

    Page 577 and forwards in the manual.

  • Tero Ahlfors

    January 6, 2018 at 12:00 pm in reply to: Premiere only imports audio from MXF files

    What version of Premiere are you using? Have you tried installing the free version of Resolve and importing the footage there?

  • Tero Ahlfors

    January 5, 2018 at 9:00 am in reply to: CBR for ProResHQ

    [Sascha Engel] “So, all in all in it’s right to say, that the CBR version,
    has to have a slightly – even though I guess, not visible –
    better image quality?”

    Bigger file doesn’t automatically mean better. VBR is great because it will use the bit rate that the current footage needs. If you have a bunch of dark or bright scenes (or you have crop bars) they will use less data instead of writing everything in the file.

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