Forum Replies Created

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  • Tero Ahlfors

    April 10, 2014 at 5:29 pm in reply to: Cleaning up 8mm and 16mm footage

    [Ryan Ritchey] “Seems like there should be a program/plugin that would allow you to clean up a frame of a scene manually, then tell it to process the rest to look like that.”

    Dust and scratches aren’t in same spots in different frames.

    [Ryan Ritchey] “anyone know another place to find PFClean trial?”

    You’ll need to email Pixel Farm’s customer service.

  • Tero Ahlfors

    April 9, 2014 at 6:31 am in reply to: Cleaning up 8mm and 16mm footage

    [Stephen Smith] “Take a look at this software, it isn’t cheap:

    https://www.blackmagicdesign.com/products/davincirevival“

    Revival is terrible and Blackmagic is probably killing it soon. I wouldn’t put any money on it. PFclean is good but still expensive, you can get a 30 day fully functioning trial of it though. Digital Vision Phoenix is also an option but they don’t even have a price up on the website so…

  • Tero Ahlfors

    April 7, 2014 at 7:57 pm in reply to: Tips for exporting smooth, clean, clear video

    [Jamie Sinclair] “Do you know by any chance why my video looks sooooooo much more clear and HD in the small youtube player on this page rather than the actual standard youtube player size on the youtube website?”

    Because you’re looking at a smaller video where you can’t see all the prevalent flaws that you might see if you viewed it in full size.

  • Tero Ahlfors

    April 5, 2014 at 8:57 pm in reply to: Premiere CC: imported photos look grainy – why?

    [Benjamin Reichman] “open in the lefthand viewer in Premiere CC and also open in the quick preview window in OS X”

    Well Premiere uses Adobe Camera RAW to figure out how the RAW image should look and Preview will use some Apple specific thing to create the image. I’d guess the OS X preview has some aggressive noise reduction by default.

  • Tero Ahlfors

    April 5, 2014 at 11:53 am in reply to: Tips for exporting smooth, clean, clear video

    [Morgan Butler] ” I think this is because it’s hard not to lose information in the blacks when encoding. “

    It’s hard not to lose information from DSLR footage. If it isn’t exposed properly you can’t really push it in post. Video #1’s contrast might have been pushed too far and the shadows have lost information and are showing some nasty artifacts. Video #2 seems to be lit, shot, exposed and graded by someone who knows what compressed H264 can and can’t do.

    Premiere has nothing to do with the fact how the footage was shot.

  • Tero Ahlfors

    April 1, 2014 at 4:17 am in reply to: Letterbox bars on a 1080p cutting videos

    [Soumendra Jena] “2. Yes the top and bottom is getting masked. Is there any way to prevent that, keeping the top & bottom black bars intact ?”

    If you are changing the aspect ratio of the sequence you will lose some footage area. Unless you stretch it but that won’t look good.

  • Tero Ahlfors

    March 28, 2014 at 3:51 pm in reply to: ‘Capture Device Offline”

    You didn’t say how the deck is connected to your computer so I’m guessing you’re using firewire. In that case you’ll need to uninstall the firewire driver and install the legacy firewire driver.

  • Tero Ahlfors

    March 28, 2014 at 5:25 am in reply to: Color management – OS X, Quicktime, Premiere

    [Jack Lenk] “The SAME video files look duller and less red in QT player, but in VLC player they look same as in Premiere.”

    You can’t trust QT player at all so if you’re doing something color critical don’t use that.

  • Tero Ahlfors

    March 27, 2014 at 4:40 am in reply to: Fixing telecined frame rate flicker?

    I don’t remember if AE CS4 had the color stabilizer effect, but that has worked for me.

  • Tero Ahlfors

    March 25, 2014 at 4:41 am in reply to: AE Pro Import from AVID MC7 Badly Degrading Clips

    Those MXF OPatom files don’t work anywhere except on another Avid. CC should support Phantom .cine files natively. Have you tried using the originals?

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