Terence Curren
Forum Replies Created
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Most problems with Color seeem to come from having the wrong GPU card. Color does all of it’s work there, then sends the result to the Kona card. The ATI 1900 seeems to be the only card that truly works with Color.
Terence Curren
http://www.alphadogs.tv
http://www.digitalservicestation.com
Burbank,Ca -
Do the words “you’re screwed” mean anything to you? Avid is still in the 90s in regards to QT. That means two channels of audio and no ability to read timecode.
I believe you could use QT Pro to break out the other two audio channels. Or just work in FCP. 🙁
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Is it Dolby E or a regular LT/RT track? Regular LT/RTtracks are no problem. The encoding is done is such a way that it is “hidden” in a regular mix.
Dolby E is a data stream and will only work with a deck capable of handling that such as the HDCAMSR.
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Build it in After Effects.
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I try to read them all, some I just read a little faster… 😉
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Post magazine is one of the best collections of press releases out there. 😉
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Or…
Set the Kona to freerun. Set the deck to lock to input video. What do you get now?
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Sparkles sounds to me like a reference issue. Are you feeding solid reference to both the deck and the Kona card? Is the Kona card set to external reference?
Terence Curren
http://www.alphadogs.tv
http://www.digitalservicestation.com
Burbank,Ca -
You can try rebuilding the media database. Throw out the database files in the MXF folder.
Other than that, it appears you have found one of the weak spots of working with P2 in Avid.
Here’s a thread about this very problem:
https://www.avid.com/exchange/forums/thread/234859.aspx
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Oh, that explains a lot. 🙁
Terence Curren
http://www.alphadogs.tv
http://www.digitalservicestation.com
Burbank,Ca