Forum Replies Created

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  • Steve Eisen

    November 26, 2013 at 1:45 am in reply to: time code genlock and syncing audio

    Keep it simple. Use Free Run Timecode. To jam sync the time code, all you need to do is set camera 1. Connect a BNC cable to that camera’s Timecode out to Camera 2’s Timecode In. Disconnect cable from Camera 2 and connect Camera 3 Timecode In. Disconnect all cables and you are set. The only time you need Genlock is if you are recording a Live event with multiple cameras connected to a switcher.

    You only need to connect 1 mic to 1 camera for a clean audio feed. The only way for your audio to go out of sync is if one of your cameras frame rate is different. You will get good enough audio from the on camera mics.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Steve Eisen

    November 25, 2013 at 9:22 pm in reply to: Rendering video un-renders part of timeline

    You can trash all your render files and re-render.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • If the background noise is picked up on the mics, there is not much you can do. You may be able to find the frequency of the background noise and lower using EQ.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Steve Eisen

    November 18, 2013 at 5:22 am in reply to: Final Cut Pro needs to render EVRYTHING!

    You can use Log and Transfer with the Canon plug-in to transcode footage to ProRes.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Steve Eisen

    November 18, 2013 at 5:06 am in reply to: New Macbook Pro and FCP 7

    In order for FCP to work correctly, you will need the original install discs. A finder copy will not install all the files needed.

    1. You can take your old hard drive and use that as a boot disc.
    2. You can clone your old hard drive and use it as a boot disc.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • As instructed by Shane’s tutorial, copying the complete card structure is essential for Log and Transfer to work correctly.

    What are your system specs? Model, RAM, HD, etc.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Steve Eisen

    November 15, 2013 at 8:56 pm in reply to: HD-SDI Output HPX500

    The HPX500 SDI output is DVCProHD. The KiPro takes the SDI in and converts that signal to ProRes.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Steve Eisen

    November 14, 2013 at 8:10 pm in reply to: Varicam viewfinder parts?

    Try these guys.
    https://www.ued.net/website

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Steve Eisen

    November 14, 2013 at 8:09 pm in reply to: HD-SDI Output HPX500

    Yes. DVCPro HD from the HPX-500 will record ProRes on the KiPro and ProRes or DNxHD on the Atomos.
    1280×720 and 1920×1080.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • I heard of something called the internet. I can’t remember who told me. It’s possible it might have been another wedding videographer.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

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