Seth Estrada
Forum Replies Created
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Please post your project settings and then your render settings [hint: they should match]
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Under Project Properties select ‘Side by Side (Half)’ as your 3D mode, then render using either the Sony AVC or WMV file type.
I’d suggest trying to match your source media for render settings [i.e.; using the “Internet 1920×1080-30p” setting if you shot either 60i or 30p]
When you select the render preset from either of these two formats, click “Custom” off to the right hand side, and select the “Project” tab to the far right on the bottom.
Be sure that under “Stereoscopic 3D mode”, it is set to”Use Project Settings”.Your rendered file should appear as two streams side by side, with the Left eye stream on the left, and the Right eye stream to the right.
Upload this file to YouTube, and when applying description info, place the tags “yt3D:enable=true” AND “yt3d:swap=true”. Hope this helps.“Oh be wise, what can I say more?”
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If you are referring to an offline edit that will be matched back to film, then you will not (probably) be exporting the final picture-locked edit from your DV footage; you will either be using DV as your low res proxy files, and replacing them with your full res scans (possibly 1080 or 2k?), or you will be exporting the EDL from your offline edit to have your negative cut elsewhere. In either case, timecode will be the make or break of your workflow, and that has a lot more to do with who is making your low res dubs than the NLE package you are using. Vegas will handle timecode just fine, as long as your proxy timecode corresponds to your full res timecode when you conform your project for online.
If you are doing an offline and exporting an EDL to have a negative cut, then know that the only work that your online editor will see is your edits (cuts, crossfades), not your effects, though they may come in handy as a reference for whoever is doing your color grading/visual FX later on.
Which were you referring to? A purely digital workflow, or film matchback?
-seth -
Thank you again. I’m lost without daily time stamps.
“Oh be wise, what can I say more?”
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Will it do the same for 24p HDV projects?
“Oh be wise, what can I say more?”
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Thank you very much. This tool will save many people many headaches.
“Oh be wise, what can I say more?”
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What format did you shoot in, HDV, XDCAM HD, HDCAM? What are your project properties? Who is editing for you?
-seth“Oh be wise, what can I say more?”
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When my Apple editor friends saw FCS2 at NAB they said “look at all these cool new features” and I literally yawned. Vegas has had ALL of those ‘new’ features since version 5, and they are seriously going to take their competition off-guard when they release Version 8 this year. I own Final Cut, and when I’m forced to use it for freelance I feel more inhibited… in a bad way. Do yourself a favor, and don’t consider a change unless A) it actually increases your earning power as an editor and B) a client or job pays the full expense.
-Seth“Oh be wise, what can I say more?”
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I had a similar problem last week (I use Vegas 5 still too) I keep thinking that one of a couple of things could be wrong. Either my windows swap space is too small (shouldn’t be a problem, but MS keeps you on your toes) or perhaps the amount of memory set for RAM previews inside of Vegas is too big and it’s choking itself.
-seth“Oh be wise, what can I say more?”
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Have you checked your installed codec base? Try the K-Lite Mega codec pack. That should open up a fat can of worms for Vegas to chew on.
-seth“Oh be wise, what can I say more?”