Sean Dunn
Forum Replies Created
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Harry Frank does a great job explaining that exact effect and uses expressions so it’s dynamic.
https://www.youtube.com/watch?v=JAioCWTFKsg&t=1sSome contents or functionalities here are not available due to your cookie preferences!This happens because the functionality/content marked as “Google Youtube” uses cookies that you choosed to keep disabled. In order to view this content or use this functionality, please enable cookies: click here to open your cookie preferences.
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Sorry about that, but thank you so much for the help!
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Worked perfectly, thank you!
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The composition technically doesn’t contain an alpha, but ideally what I’d like to do is cancel out the alpha from every layer but my matte layer. Retaining the RGB channels and only letting the alpha layer render out, similar to shuffling out an alpha in nuke.
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What they used is a technique called Rotoscoping, essentially frame-by-frame hand drawn animation. There are some plugins that will pseudo draw on for you, but for really good animation most of it is done by hand.
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Thanks Dave, I was totally trying to over complicate it for myself. Little bit of messing around and was able to get it to work.
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This one’s a bit simplistic, but it’s fun to play with and super fast to use.
https://www.battleaxe.co/rubberhose/ -
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Possibly, color is a weird thing to describe. Essentially what I have is a
dpx sequence in LogC > imported to AE > Color manage To 32bit & linearize workspace > Preserve RGB on footage > Use qp Lut on adjustment layer > composite things > turn off LUT > export dpx with preserve rgb
That work flow is giving me 0 dataloss back in nuke
