Sascha Engel
2
Audio Coins
11
COW Coins
4
DaVinci Coins
5
Premiere Pro Coins
Forum Replies Created
-
Nice one! Thanx!
-
About BitVice:
1. When you download it, there is a paid and a free version – what are the differences?
2. What are the settings, that work best for you in it? There is a lot of parameters, I don’t know what to set, such as Color, Matrix, Transfer, IntraDC, Spatio?
Thanx.
Sascha
-
As usual, Raphael, great information – thanx! I will give BitVice a shot.
Usually with encoding for H.264s I am quiet happy with Compressor, but not with HD to SD.
What about downscaling in AE? How are those Algorithms?
Does AE do a good job?Greetings,
Sascha
-
Wow, that is interesting news. Thanx Raphael. But I assume the learning curve of Shake is rather steep. I know how to work with AE, but Shake? Might be time extensive to dive into, no?
Sascha
-
Interesting. Thanx. So actually it means, that all tape based recorded cameras write the information Interlaced to the tape, even though it is shot progressive?
Sascha
-
Why would I transcode a 25p Pal video into 23.98 NTSC when I’m living and delivering in a PAL area?
Sascha.
-
I will try that setting. Till now it was on ‘same as source material’. Why SD video cannot be progressive? When I shot with my DVX, it’s miniDV, it’s tape and its 25p.
-
Dear Dave,
Believe me, I am fully aware, that an SD picture can’t look like HD, but there is still a difference between lower resolution and artifacting, dancing lines, extreme pixilated edges – specially around red.
When I shoot stuff in SD with my DVX100B it never loos like that.Ando for the field order: As I wrote above – it’s shot, edited and exported in 25p – also in compressor it’s handled as 25p footage. The quality issues are also clearly of total different nature that line issues. I know, how those look like.
I encoded in Compressor, then created in DVDSP an SD PAL project, build a menu, imported my m2v DVD video and ac3 Audio files – and build a DVD from that.
Sascha
-
That workflow I never tried, I will give it a shot.
Never did it, because I was always told that compressor does a far better job than FC.Sascha
-
Unfortunately, that cannot be the reason. I am sorry I forgot to mention: Footage was shot 25p, edited 25p, output in ProRes 25p and in Compressor encoded as 25p.
Sascha