Sascha Engel
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Audio Coins
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COW Coins
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DaVinci Coins
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Premiere Pro Coins
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Could not find the description. Could you elaborate on the fooling the installer trick?
Thanx.Sascha Engel
TIME BANDITZ Productions
http://www.youtube.com/taikang -
I realized, that for OSX 10.8 Canon does not offer an ingesting plug in anymore for FCP 7.
Only up to OSX10.7. If hats so, it made my choice to go for X or 7 on this movie quiet easy:-)Sascha Engel
TIME BANDITZ Productions
http://www.youtube.com/taikang -
Hallo Guys,
Thanx for all the feedback. First of all, I did say the best around, but also not too expansive.
When I asked about comparison of the Rippletraining with others, it was not, cause I think 200.- ain’t worth it, but simple to see, wether the training for 80.- will be fine also. Yes, I do leave in a place where 200.- bucks is quiet some money 😉
Did actually somebody do the Tao of Colour training?
I really like those guys work and wonder if the training is as good as their film work?Greetings,
Sascha Engel
TIME BANDITZ Productions
http://www.youtube.com/taikang -
But is it really worth all the extra money? Usually Ripple Training is great, and they charge 80.-Bucks for a 11 hour course. This one is 200.- – that’s more than double the price.
Sascha Engel
TIME BANDITZ Productions
http://www.youtube.com/taikang -
Thanx! That’s Great! Will get it right away!!!! Perfect for the iPad!
Sascha Engel
TIME BANDITZ Productions
http://www.youtube.com/taikang -
Thank you so much, you have been a great help!
Greetings,
Sascha Engel
TIME BANDITZ Productions
http://www.youtube.com/taikang -
No worries there, I am a pedantic German – if I get into a software, I REALLY wanna get into it. 🙂
So, would it be an option to to it as following: Create a sparse disk image on my internal RAID (not sure yet, how much space I should give it though), Put all my source material (the folders from the Canon C300 CF Cards) into that sparsed partition. Then create the Event and Project Folder into this Partition as well. Now, in FCPX import all the media (but leave it in the original place, since it’s anyway already on the right “disk”). Later, I can copy that Partition on the clients disk, so he has the full project.Would that be a safe way?
In the way I described, I understand, that FCPX is actually working with the original C300 material, so – coming from the transcoding world of FCP7 – it strikes me a much more stable and safe workflow (specially considering a round trip to Resolve) to let FCPX optimise the media into ProRes and copy it into the event Folder. Cause if not, when I export the XML at the end, does that link in Resolve to the original files of the C300 Card? I guess, these files DaVinci would not like very much, right?
Greetings,
Sascha Engel
TIME BANDITZ Productions
http://www.youtube.com/taikang -
Great, David. Thanx. So why they wrote in this post that it wasn’t an option back than? Did it not exist in the early version of FCPX?
Sascha Engel
TIME BANDITZ Productions
http://www.youtube.com/taikang -
This thread is 2 years old. I wonder if there is an easier way by now? Following situation in FCP7: I set an in and out point in TL to export one single clip to render some effect or stabilisation out, e.g. For prepping for resolve or Color, then re import and exchange with old version. Fcp7 was easy to do so. Is there by now an equal easy way in X?
Thanx.Sascha Engel
TIME BANDITZ Productions
http://www.youtube.com/taikang -
By the way, which one from Ripple Training you suggest? There is a lot of different ones.
Any tip for a good general foundation one!Greetings,
Sascha Engel
TIME BANDITZ Productions
http://www.youtube.com/taikang