Sascha Engel
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Ii zag het net, je bent uit belgie. Waar vandaan? Ik heb 10 jaar in Nederland gewont. Ben je Vlaams?
Groeten,
Sascha Engel
TIME BANDITZ Productions
http://www.youtube.com/taikang -
I love resolve and I learn it right now. In FCPX I will safe enough to go pro, but in resolve not yet, and I don’t wanna risk the project’s deadline because of me working to slow.
I definitely wanna switch to resolve, I’m just not there yet.Sascha Engel
TIME BANDITZ Productions
http://www.youtube.com/taikang -
Perfect, that was exactly what I was looking for! 🙂
Thanks a lot!Greetings,
Sascha Engel
TIME BANDITZ Productions
http://www.youtube.com/taikang -
You definitely got a point about the speed l, Gustavo. Fast aint always better and good things need time to develop, but there is times and jobs you just have to be quick to hit the deadline. Specially in the commercial world and there I definitely see the strength of X, since it does allow you to technically work faster than on AVID. it’s a bit like with cameras: there is not the one best camera, only the best camera for this specific job. At the end of the day it’s the editor that counts, not the tool. If you are a master in what you do, you can make a great film in iMovie.
Could you tell me what is light works? I’m curious.Sascha Engel
TIME BANDITZ Productions
http://www.youtube.com/taikang -
We have a saying in German: what the farmer doesn’t know, they don’t wanna eat. I think, Hollywood is a very inflexible, traditional environment. It takes time until the wall for X is broken. Believe me, if the Murch starts to edit in X, many will follow. I hated it when it was released, but I realise more and more the potential of it. If they manage to kill the weaknesses it has and ad the things it’s still missing and if they make it as solid working as 7 or MC, it will kick some ass in the industry.
Sascha Engel
TIME BANDITZ Productions
http://www.youtube.com/taikang -
Chrystal clear answer. Thanx a lot.
No, surely I’m not gonna use it then, since I don’t like auto settings in general. I though already, that I’m not gonna use anything besides erasing mute channels.Sascha Engel
TIME BANDITZ Productions
http://www.youtube.com/taikang -
They rent good equipment, cause its not so costly to rent.
But yes, you hour rates are way above what is normal here.
1200.- shekel for a shift, which is 9 hours long, that’s around 400.- dollars for 9 hours of work!Sascha Engel
TIME BANDITZ Productions
http://www.youtube.com/taikang -
I’m in a similar situation. More than 10 years on FCP.
Now, I want to switch, since in my current coming up project, the C300 footage cannot be suggested anymore in FPC. So I decided to go two ways – learning X and AVID.
PPro I still kind of now, it was actually my first NLE software. It’s very hard, since I have to learn it while actually keep working, so I have long nights with little sleep. I got into X for a week now. And like Shane I hated it in the beginning when they released it back then, since I felt back stabbed by Apple. But now I got over the anger and I must say some things in FCPX are just mind blasting. I just keep asking myself, why nobody introduced those things before to a software? But that said, there is still things, that need definite work still: Now I have to spend another 150.- Dollars, only to be able to export AAF and OMF, which I think, should be part of a pro software.
Other than that, I can strongly suggest FCPX. I like AVID too, but it’s a very solid tank, while X is a very mobile jet. I find many things in AVID very inflexible and not intuitive, compared to even FC 7.
If you go for X, I hope, I can help you by then with Qs, like all the good COW people help me right now to get up to speed.Greetings,
Sascha Engel
TIME BANDITZ Productions
http://www.youtube.com/taikang -
Just out of masochistic curiosity: where are you based and what is the general hour rate or rate per day shift of an offline or online editor?
Sascha Engel
TIME BANDITZ Productions
http://www.youtube.com/taikang -
Hahaha. Not only me. Israel happens to be one of the most expansive places in the world, with one if the worst salaries in the industry. Damn sad, but reality. You would not believe the hourly rate we can charge here.
Sascha Engel
TIME BANDITZ Productions
http://www.youtube.com/taikang