Replies – Forums – Sarah Furie

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Sarah Furie
June 10, 2016 at 6:52 pm in reply to: Cannot view an AAF with more than 24 tracks of audio

I am on Avid 7, so probably not. I guess I will ask the audio guy to resend with fewer tracks.
Sarah Furie
May 21, 2016 at 8:47 pm in reply to: Keep monitor at top of the sequence at all times

Thanks for your responses. You are right. Our editor wanted to be able to have the monitor icon on the lower track, duplicate the timeline and have the monitor automatically jump to the top track, but we know about automonitoring. As an AE I just wanted to research the topic and see if it was a possibility.
Sarah Furie
May 21, 2016 at 7:41 pm in reply to: Keep monitor at top of the sequence at all times

Yes but is there a way to always keep it at the top? Meaning if it is at the bottom and you make a duplicate, the duplicate timeline would show it on top?
Sarah Furie
May 15, 2016 at 7:33 pm in reply to: 23.976 footage converted to 29.97 is lagging from the camera audio

In my Davinci project, I see a possiblity to click the 3:2 pull down, but when I do, the “playback frame rate” changes to 23.976. Is that what is supposed to happen? I am trying to convert it in Avid and do something different in Davinci too, because the lag is not acceptable.
Sarah Furie
May 15, 2016 at 6:54 pm in reply to: Drop frame clips into a Non Drop Frame Sequence

Thanks! So, having drop frame and non drop frame clips in a sequence also shouldn’t be a problem?
Sarah Furie
May 15, 2016 at 6:52 pm in reply to: 23.976 footage converted to 29.97 is lagging from the camera audio

What were the file formats and rates before using Resolve to make the new media? Were you using Resolve 12.5 which has the new feature of adding 2:3? It is in the deliver tab when selecting output rate.

12.3.2

I don’t really understand what a 2:3 pull down does versus a 3:2 pull down. Does it affect video and audio and how do you know if it is needed or not?

On a related note, NDF or DF do not affect the playback rate. I would actually recommend making new source material from 23.976 NDF when going to 29.97 as it is easier to track back. DF in this scenario should only be used for the timeline to meet a broadcast delivery spec.

Are you saying I needed to convert to 29.97, but didn’t need to convert it into drop frame?

Thanks so much for your help!
Sarah Furie
May 15, 2016 at 6:55 am in reply to: Drop frame clips into a Non Drop Frame Sequence

Thank you so much. I was so worried! Do you know of any articles that back this up so I have more piece of mind?
Sarah Furie
May 15, 2016 at 6:55 am in reply to: 23.976 footage converted to 29.97 is lagging from the camera audio

Hey Guys,

The footage was 23.976, not 24, when I bring it in Avid. But, when I tried to group the footage it wouldn’t let me so I was told by other assistant editors to bring everything into Avid matching, so I converted the 23.976 NDF footage into 29.97 DF. I don’t believe I have a problem on much else, except for long clips, which makes me wonder about the lag. I was told it was best NOT to use the convert tool in Avid. When I did use it, actually, because there were some clips that Davinci didn’t work well with, there was some ghosting. :/
Sarah Furie
May 13, 2016 at 6:56 pm in reply to: No audio on Quicktime Reference export

Did you get a fix for this?
Sarah Furie
May 13, 2016 at 6:54 pm in reply to: Media Composer will not start

Same problem.

Do you have a fix?

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