[Sarah Bright]

Ace… Thank you.

[Sarah Bright]

AH! Amazing! Thank you…

So, just to check, if I’m rendering out my master to 25 and then interpreting the sequence to 23,976, do I then essentially not have to interpret the original rushes before I start editing with it?

We will have a sound guy, so I’ll run this past him.

[Sarah Bright]

Hi both… Sorry, of course. Here’s a couple of screen shots:

[Sarah Bright]

Awesome… Very handy dandy indeed! Thank you!

I’ve never used the pitch shift audiosuite plug-in Avid media composer and I can’t seem to get it to make a difference in the pitch at all.

I have gain, coarse, fine, ratio, crossfade, min pitch and accuracy but not sure which to adjust and I can’t seem to find any tutorial videos for it either.

[Sarah Bright]

Thank you so much for your advice! That’s really helpful 🙂

[Sarah Bright]

I’ve done that in the past, I just thought there was a way to keep it before it’s exported from DaVinci.

Thanks

[Sarah Bright]

Hi, thanks for your reply but I’ve done a video mixdown to prores hq and direct out in the export settings is greyed out?

[Sarah Bright]

Ok, I’ll give that a go.
I think I’ll wait to install Boris until I’ve done the offline and cut around the affected shots where possible.

Thanks 🙂

[Sarah Bright]

Awesome, thanks guys!

[Sarah Bright]

Ok, maybe a mixture of the 2 will sort the problem.
Obviously the only real fix for this is to not film it wrong in the first place but such is life.

If you find the link then let me know. Thanks