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Sam White
September 23, 2011 at 2:24 pm in reply to: conversion of sony A1 hdv 1080i to 1080 master

For the edit i will probably transcode all the footage to SD prores hq or maybe 720.
I was concerned about delivery for the DI. The A1 i think is 1440 x 1080i HDV should i use the kona to convert it to 1920x 1080 pro res 422 when I online it?
cheers
Sam White
February 10, 2011 at 1:05 pm in reply to: Final Cut- Red footage project syncing problem?

Thanks for the reply

its probably best to not sync as you said!

cheers
Sam White
October 28, 2010 at 5:08 pm in reply to: master via firewire???

Because apparently they broadcast from the dv tape(in Nigeria). so it would have to go on to one anyway.
sounds weird that they broadcast from a mini dv tape but thats what we’ve been asked to deliver.
Sam White
October 28, 2010 at 5:01 pm in reply to: master via firewire???

What is the advantage of dvcam if any?
Sam White
October 28, 2010 at 4:32 pm in reply to: master via firewire???

if i tried to print to tape with a pal timeline with 10 bit uncompressed compression settings via firewire what would happen?
cheers sam
Sam White
August 23, 2009 at 5:23 pm in reply to: New FCP setup question

It seems like the most affordable/proffessional option.
Thankyou for your help
Sam White
August 23, 2009 at 5:01 pm in reply to: New FCP setup question

Thanks guys, that clears it up. What I really want is to be able to monitor and grade basically on an external LCD monitor such as panasonics TH-50PF10UK as well as run the heavy 3d software and be able to deal with some red footage. I know this is alot to ask but I figured that 8 core 2.26 Nehalem mac with the kona 3 and a ATI Radeon HD 4870 512MB.

what do you wreckon

cheers sam
Sam White
March 15, 2009 at 10:44 pm in reply to: FCP with Motion to Color

I will do that.
Thanks for your help
Sam White
March 15, 2009 at 10:44 pm in reply to: FCP with Motion to Color

I will do that.
Thanks for your help
Sam White
March 15, 2009 at 10:31 pm in reply to: FCP with Motion to Color

Thanks for the reply,
So I have to export from motion with the same codec as the FCP timeline then bring them back into Final Cut. Thats ok but I love the send to motion workflow. Would be awesome if it did work.
Thanks Again Walt
Love your tutorials

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