[Samuel Enblom]

I have not upgraded on this machine. So its not related to that!

[Samuel Enblom]

I understand you decision, it was probably for the better.

Just to put up an idea, would it have been enough to mask out the stain and blur it? With a nice feather it could atleast ease the “eye-pain” your customer is experiencing.

[Samuel Enblom]

Im experiencing a similar problem right now. The editor that was on this project before me has copied a lot of .mov files that have become corrupted. They all have in common is that they got corrupted on my external WD 3 TB drive and they were all shot with Canon 5D mk 2 or 3.

I havent found any audio bursts but I have found the video unplayable in anything besides VLC. I can see frame by frame in premiere but still not playable.

The only solution that (at least temporarily) works for me is to copy from one of my back-up drives and hit “replace”. I’m sorry I dont have any more convenient solution for you, but if anyone finds anything I will be interested to also hear so!

Best of luck!
Samuel

[Samuel Enblom]

Thanks for your answer! Plural eyes actually managed to handle most of it!

However, I have a few clips where its no audio at all (mute audio channel), so in this case I was hoping I could use the timestamp… Problem is, I really dont know how to see the timestamp. I can’t seem to find any tutorial on google either, do you happen to know how to?

[Samuel Enblom]

Thanks! I’m glad it was just me being blind!

[Samuel Enblom]

I’m glad I could help!

[Samuel Enblom]

Have you tried MPEG-streamclip or handbreak?

[Samuel Enblom]

Actually I didn’t mean the symbols that just warn you when you’re off limits. There is an actual filter in FCP that makes sure you’re broadcast-safe. (It might actually be called broadcast-safe filter). I’m a little rusty since I have made the jump to premiere.

I didnt fully watch this tutorial but the title sounded nice in regards to this question and to explain what I meant:
https://www.youtube.com/watch?v=YjYrlPJiCJM

Also creative cow has its own explanation of broadcast colors:
https://www.youtube.com/watch?v=9zyJBeU6TXA

I hope this can be of some sort of ease for you.

Some contents or functionalities here are not available due to your cookie preferences!

This happens because the functionality/content marked as “Google Youtube” uses cookies that you choosed to keep disabled. In order to view this content or use this functionality, please enable cookies: click here to open your cookie preferences.

[Samuel Enblom]

Just a quick info-question… Have you tried FCP’s luma-safe tool? It is, as far as I know, always safe for broadcast.

[Samuel Enblom]

Well, you could earn quality if you planning on exporting, then re-edit that exported file and then continue that loop a few times! So in other words, there is really no meaning in converting to a different codec unless your editing software has issues working with it, which in your case (Premiere Pro) shouldn’t be a problem!