Sam Moulton
Forum Replies Created
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This tutorial will show you exactly how to change the x, y camera path to x, z axis.
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The technique is the same, the example was done in commotion, but the technique is exactly the same.
Read part one completely, watch the video, then read part 2
https://effectscorner.blogspot.com/2006/01/rotoscoping-part-1.html
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keep in mind that design and creativity is more a part of a good production than the software used to create it. Given the talent and time plus a hand full of 3rd party plug-ins and a good motion tracker you can do create any image you can dream up in AE.
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I agree with Rob . . .
Channel mixer is the best path to Black and White. You can simulate the filters (yellow, red) that are used in B&W photography to control contrast. If you know nothing about B&W photography I’d suggest you google Ansel Adams and look at some of his work and technique. You’ll never achieve anything that looks like good B&W photography by simply de-saturating color.
https://en.wikipedia.org/wiki/Ansel_Adams
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this has nothing to do with time code, everything with frame rate. Read the help files. they will walk you through the process of adding 3:2 pulldown to your movie.
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make it explode, then pre-compose that and time reverse the pre-comp
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that probably makes more sense. when I first read the request I thought he wanted to loop between 1600 and 2007 every 1.5 seconds. I must need a nap.
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add an expression control slider to your text layer set a keyframe at 0 with a value of 1600, set a value at 1.5 seconds of 2007 then add the following expression to the slider
loopOut(“cycle”)
then use the pick whip to link to the slider and add value.toFixed(0) to the end so it looks like this:
effect(“Slider Control”)(“Slider”).value.toFixed(0);
I think this is easier than building in a loop to the time value.
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turn off openGL acceleration. it is set to always on.
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Try this tutorial. I used it to create a camera projection