Now if I see solid focus of my subject in a 480p monitor (while recording), does that mean that my actual recorded video in the card in 1080p is also sharply focused?
Hi Todd. The reason I asked it here is I’d like to know if I can also do it in Premiere Pro. This way, I don’t need to go to AE just to make my video broadcast legal, in case my project is being done in PP. Thanks and God bless.
Thanks Chris and Todd. But what Panasonic are you talking about (that can remove the stutter by just adjusting the presets)? Can the HPX150 do that? How about the HVX200? I know they’re not BIG cameras but those are the only ones available here.
I’m a newbie and have never used HD. What is the usual delivery format for DVCPro HD if you’re going to hand the project to a TV station? Is it on a tape? What’s the codec and format? I only know of blue ray, but that’s for consumer use. What’s the professional format? Thanks and God bless.
Thanks Steve. Then what’s the proper connection to use for usable recorded footages in this cameras-switcher-recorder setup? Thanks again and God bless.
What do you use or what is commonly used? You said that composite is good but will it yield acceptable results? A friend of mine who works for a TV station that uses DVX100 cameras told me they use BNC adapters (attached to the composite out of their cameras) to connect to switchers, and I’m confused because I think anything that comes out from the composite is not broadcast quality. God bless.
Do they do that with SD? I use a standard definition DV camcorder and edit with Premiere and After Effects. How do I capture in lower resolution? God bless.